haha no it's not what you think it is.
I was browsing around amazon and stumbled upon this: http://www.amazon.com/99-Darkest-Pie...9350639&sr=1-1
99 darkest pieces of classical music
Well I was looking through some of the selections, and many of them seem quite odd....
L'estro armonico? Bach's double violin concerto? The Aquarium from carnival of the animals?
So it got me thinking, most of us know that on nearly every classical music forum there are about a dozen threads asking for more "dark" classical music but what exactly makes a piece of classical music dark?
Sometimes I think that people just slap the word dark on any piece of music in a minor key but I minor key is capable of expressing so much more than just "dark" and I would hardly describe any of the pieces on this CD as dark actually. Or maybe people confuse dark with dramatic. The aquarium movement sounds more magical than dark to me, Bach's double violin concerto is way too energetic to be considered dark, O fortuna is on there, but I would say O fortuna is more aptly described as powerful, not really dark. Even the third movement of Shostie's 3rd string quartet, it sounds angry, aggressive, but dark? not really.
So what do you guys think of when you think of "dark" classical music. I usually think more along the lines of composers like Gubaidulina, George Crumb, Allan Pettersson, some chopin pieces (but only some), Sibelius' 4th symphony
Certainly not Bach's famous violin chaccone or even Ride of the valkieries...