I'm practicing Bach's D minor partita for the violin, while leaving the Chaconne for later. The chaconne isn't that bad technically, but it's the length and the sheer scope of the work that makes me think I'm not yet up for it. I'd love to be able to play it some day though, as it's my favourite piece piece of music.
For now I've abandoned this project. I've got the first section (first 9 measures) sounding decent, but decent isn't good enough for Ravel! I've taken a side trek into some jazz guitar of late, I'll soon be returning to the Walton Bagatelle, and 2 Bach pieces (finishing up Lute piece BWV1006a and the Chaconne).
I'm crawling through the first movement of Nikita Koshkin's Sonata. Here's a video of it. I don't care for his interpretation--it's too fast and his tone colors are hampered by his Greg Smallman guitar!
Martin Logan Theos; ML Abyss; ML Motif; Definitive Technology ProMonitor 1000 surrounds; Marantz 8801 pre/pro; Parasound Halo A51 5-channel amp; Oppo 105 SACD/Blu-ray player; Stax SR 404/SRM 717 electrostatic headphones
^ Greg Smallman guitars are the best.
For what? Smacking people over the head? Expensive flower pots? Then I agree! If you want a guitar with an even response and a wide range of colors, then look elsewhere in my humble opinion. The younger generation seems to prefer their nasal, plastic, one dimensional tone. Give me Bream's Hauser or Romanillos anyday!
Martin Logan Theos; ML Abyss; ML Motif; Definitive Technology ProMonitor 1000 surrounds; Marantz 8801 pre/pro; Parasound Halo A51 5-channel amp; Oppo 105 SACD/Blu-ray player; Stax SR 404/SRM 717 electrostatic headphones
I suppose, but there are some modern makers who use modified traditional techniques and make wonderful guitars, especially Daryll Perry in Canada. Marcin Dylla played one the last time I saw him--it was the most magnificent sound that I have heard in a long time. There's just something about the carbon/lattice combo that kills tonal possibilities and imparts a plastic/artificial tone to my ears. Yeah, they're loud, but wants a guitar with just one, loud, sh***y tone?![]()
Martin Logan Theos; ML Abyss; ML Motif; Definitive Technology ProMonitor 1000 surrounds; Marantz 8801 pre/pro; Parasound Halo A51 5-channel amp; Oppo 105 SACD/Blu-ray player; Stax SR 404/SRM 717 electrostatic headphones
Bruch violin concerto no. 1. I just finished the Barber.
hmmm let's see. for concertos and pieces:
Brahms Violin Concerto
Chausson Poeme
Bach Sonata no. 2 for Solo Violin
Paganini Caprice 5
Wieniawski Caprice 4
Etudes:
Rode 24 Caprices
Mazas Etudes Brilliante Book 2
Kreutzer 42 Studies
Sevcik 42? Exercises on a Theme and Variations
For Orchestra- 1st Violin Parts for:
Wagner- Overture to Rienzi
Mendelssohn- Herbides Overture (Fingal's Cave)
Hanson- Merry Mount Suite
Wtf Villa-Lobos' étude no. 4 is one of the easiest pieces in my repertoire for this semester.
I haven't been working on anything new in ages, just refining existing pieces I've known for years. I have been focusing primarily on Rodrigo and Bach, because I seem to enjoy playing these two composers much more than others right now.
My existing queue or wish list as far as new pieces:
Finish Walton Bagatelle (I know)
Bach: BWV 1006a
Bach: Chaconne from BWV 1004
Rodrigo: Sonata a la Espanola
Bach: BWV 996
Bach: BWV 995
Bach: The rest of BWV 1004
Rodrigo: Sonata Giocosa
Last edited by tdc; Sep-09-2012 at 06:58.
Henze's Drei Tentos is coming along nicely. I ought to do some more Henze next year.