
Originally Posted by
Praeludium
Not much. I try to write two voice counterpoint (duos, inventions, whatever. Rather small pieces which gravitate around one thematic material) in a modern idiom (nothing new. A kind of extended tonality, sometimes in the gray zone, sometimes with a rather precise tonal center), while I'm studying Bach's two parts inventions.
It's hard to write good two voice counterpoint, actually. By good, I mean which doesn't sound like an exercise and which doesn't sound thin.
I feel like I absolutely have to learn more about... well, all the instruments and how they work. I know nothing about percussions for instance. What a shame lol
I still have my neo-classical guitar sonata in project for this summer, but I wonder if I'm ready for such a big work. I'm 18 and it gets on my nerves to try to write a rather consequent work which will not really be satisfying as a work of art. I wonder if I should not just keep writing smaller pieces and studying the repertoire rather than trying to run before walking.
I hope that in 2013 I'll be a good enough pianist and sight-reader to study a lot of material. I feel like that's what I need to really make progress. to study music from the inside.