I play guitar without nails. I rely on my flesh to produce tone. I have some kind of blisters on the index and middle-finger of my plucking hand. ****** tone. And an exam in a few days.
I have put my guitar into its case and I won't touch it before Tuesday (the exam being Friday). I'm getting tired of all those complicated things. Guitar is such an annoying instrument.
Moreover, I need a shorter scale guitar (closer to XIXth/early XXth century) and nylgut/gut/whatever strings so that I don't hurt my fingertips playing it.
My current guitar is too much "tensed", very different from the Lacote I once tried which gave the feeling of being a very light, very supple instrument.
Moreover the sound I perceive as a played is way more richer than the sound perceived in the front of the instrument and I don't like it. At all. It should at least be the other way.
I don't know what to think of my guitar studies. I'm under the impression I could be a way better musician if I was studying it 2 or 3 hours a day but without pressure, without silly exams way above my level (whatever my teacher says). I began quite late, as a teenager, and have never really took the time to build things properly. I need to stop and to start again, because what I've been doing until now was right until a certain point but I'm hitting a ceiling, I'm under the impression I tried to build a castle on a foundation of sand. I could be happy with that and continue this way, but it'd just make me a mediocre musician - not bad, but not really good or interesting.
I just like the tone of flesh - I know, that's a problem. I want to play XXth and XXIth century music and play with flesh.
But to be honest I don't plan on trying to be a virtuoso guitarist winning contests and touring and... I just don't have the right profile. What I want to do as a guitarist is attaining a good level of proficiency (ie. being able to master Sor's op6 and op29 and HVL's 12 Etudes, which is quite a lot but still possible), teach and perform how I want alongside.
But anyway I don't really imagine myself playing with nails.
There's a tone that I want, I have it in my head, and it's a tone you can only get with bare flesh (if you don't have blisters haha). I tried growing nails many times (about 7 times of three years I think), but every time I have cut them because at some point I was feeling I wasn't doing what I truly wanted, even if it was the correct academic way and certainly the most efficient technically speaking.
This tone induces reeducating myself to play the guitar in a way better way (I'm working on that with my physiotherapist), forgetting those old habits underlying since I began guitar and particularly classical guitar as an autodidact, and playing with flesh.
You study composing, are you a pianist ? How much do you practice guitar btw ?
Last edited by Praeludium; May-13-2012 at 23:46.
^You are a very unusual guitarist. I have always liked the tone of flesh but only when played on gut strings. Maybe you could become a HIP guitarist specialising in 19th century repertoire but still occasionally playing the 20th century stuff like Villa-Lobos (which in my opinion sounds a lot better when played with nails rather than flesh).
I don't formally study composition but I have done one and a half years of piano (another fingernail problem there!) and the last pieces I learnt on piano were Mozart sonata K283 and Chopin étude op. 25,2. I usually practise guitar between two and two and a half hours a day.
I don't like playing with my flesh most of the time
Yeah this tone of flesh+gut is very different from what we hear usually on the guitar, it's another world, strange and mysterious. That's a part of why I like it so much haha. That said some guitarists manage to sound "meh" with flesh and gut.
I could not mainly play XIXth century repertoire, because I find 99% of it to be bland music and I don't like this at all hehe.
I agree about HVL sounding better with nails. However I just want to study them for myself, not to play them in public.
The piece I'd love to play in a concert someday that certainly sound better with nails is Murail's Tellur. Tant pis (:
I shipped my guitar from Philadelphia to Portland and forgot to insure it and it hasn't arrived yet.I REALLY hope it arrives today.
This afternoon I discovered I could improvise two voice fugues on the piano.
Tonight I'm off to the opera to see the world première of Midnight Son by Aussie composer Gordon Kerry.![]()
Damn movies and alcohol for bringing up painful memories.
L'enfer, c'est les autres.
A two voice fugue, but what is the tempo ? q:
I finally got the highest mark with the congratulations of the jury at my exam haha