The thing with composing for electric guitar is that there are so many parameters to consider. Schnittke used it in a very primitive fashion, giving not so much as a hint to the staggering array of sounds made available through amplification alone, then consider all the added possibilities made available by effects pedals and other processing units and it becomes clear that the electric guitar (and indeed any amplified instrument) has limitless potential. The only arguments (that I have heard/read) against it are presumably based on the misperception that it is a mere social phallus proxy used by males for the purposes of attracting large numbers of potentially disease ridden females, unfortunately said misperception appears to be quite common but is something that can be changed if only the true potential of the instrument is revealed in practice rather than in theory.


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