
Originally Posted by
Meaghan
TWELFTH NIGHT FTW.
From the same play - Viola (/Cesario). She's not my all-time favorite literary character (I don't think I could pick one), but I've got a lot of affection for her. In the simplest interpretation, she's selfless (for wooing Olivia on Orsino's behalf when she herself is in love with Orsino), brave (for picking up and carrying on after shipwreck and the supposed loss of her brother, and adapting without hesitation to a strange new world), and very witty. But on closer inspection, you can read her so many ways, which makes her fascinating. Especially as regards her proxy courtship of Olivia, which, while masterful, doesn't always seem particularly well-designed to turn Olivia's affections toward Orsino. Then you start getting into all sorts of speculation about Shakespeare's literary intentions that can never really be settled, but that's kind of fun sometimes. And it's interesting how other characters sort of project their own desires onto Viola/Cesario, seeing her as whatever they happen to want. It's hilarious how many (sometimes rather obvious) hints she drops about her true identity that people never pick up on because they want her to be Cesario - "I am not that I play," "I am almost sick for [a beard], but I would not have it grow on my chin," "I am all the daughters of my father's house, and all the brothers too," and, of course, "My father had a daughter loved a man, as it might be, perhaps, were I a woman, I should your lordship."