Pick your favorite of the ones selected. If you got one not on the list, please choose other and mention it.
Pick your favorite of the ones selected. If you got one not on the list, please choose other and mention it.
Only really know Ercole sul Termodonte, and I rather love it. Some lovely tenor arias in it.
Hard to choose between Orlando Furioso, Ercole and Farnace. I chose Ercole because I've heard it more often.
La verità in cimento has got some lovely arias. I recommend this highlights disc (I thought I was buying the whole opera but I think this is great):
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Natalie
Hard to choose between Orlando Furioso, Ercole and Farnace. I chose Ercole because I've heard it more often.
I'm of a similar thinking. I have greatly enjoyed Orlando Furioso, Bajazet, and Juditha Triumphans... but I'm probably most familiar/enamored of Ercole sul Termodonte.
Inspiration exists, but it has to find you working.
Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with
those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.
Pablo Picasso
Yes... I love the Naive Vivaldi releases as well... except that they have the dorkiest damn covers... like a high fashion shoot gone terribly wrong.
That Orlando finto pazzo looks like Nosferatu meets Karl Lagerfeld.![]()
Last edited by StlukesguildOhio; Oct-27-2012 at 05:39.
Inspiration exists, but it has to find you working.
Art is never chaste. It ought to be forbidden to ignorant innocents, never allowed into contact with
those not sufficiently prepared. Yes, art is dangerous. Where it is chaste, it is not art.
Pablo Picasso
I think I prefer Juditha triumphans the most. As with Handel it is actually the oratorios I like better than the operas, perhaps it is the choral nature or the works or they are more focused, less a rambling story. Of the operas I have heard, I think Ottone in Villa is my preference as it seemed a little more downbeat, less bouncy baroque, although it has a bonkers plot. I'm not sure I could tell his operas apart in a blind listening test though. ;~)
Last edited by quack; Oct-27-2012 at 15:31. Reason: forgot aria
Oh, and I was just reading that this is Vivaldi's personal favorite too...
Farnace and Juditha Triumphans are his most often recorded ones, though.
Last edited by mud; Oct-28-2012 at 02:35. Reason: link
I really like Griselda; I only know the Spinosi recording, but it's excellent.
Oratorio Juditha triumphans has such magically slow strolling alto-arias, cool & hot at the same time, as if one is dwelling in an huge palazzo on one Venezia's canals during a summer siesta.