Hey, Sergei. I listened to your Cello concerto in E minor, Op 58 today at work. It's a single movement piece, or maybe the movements run together. I understand it's an earlier version of the "Symphony Concerto," Op. 125, but I am not familiar with that more famous work.
Tell me, was the cadenza near the end written out or does the performer have free reign over it? The cadenza I heard I thought was sucky if you'll pardon the 21st century American slang. It just seemed like so much virtuoso noodling. Was I missing something?
I do love the various orchestral suites, ballet suites, and film scores though.