9
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7 — 3 — 4 — 5 — 6 — 9 — 8 — 2 — 1
First place is an easy call, after that it's harder. How do you put any of them at the end of the list?
Yes, nothing improves a symphony like destroying its whole sense of form, balance and coherence. Seriously?
I've listened to the 5th at least 30 times, rehearsed and played a couple of movements in a rubbish youth orchestra and grown up with the same pop-culture bastardisations that everyone else has and the opening movement still comes up fresh for me. I don't understand the problem. Beethoven's 5th is above cliche.
3
6
5
1
and then the rest of them.
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Well I basically have the first movement memorized in my head. So I can easily recall the contrast without listening to it.
No. That is not the reason the opinion is stupid. The reason is that Beethoven #5 is a symphony which has been pretty much universally admired by the greatest musical figures in history (and a whole bunch of intelligent non-musical figures) precisely for its formal perfection and structural unity, so it sounds absolutely ridiculous when some 14 year old starts trash-talking it in true pseudo-intellectual fashion on an internet forum.
This does not mean it sounds better without the first movement. It doesn't make sense without the first movement. The second movement opens in such a way that no-one could possibly mistake it for the beginning of anything. The fourth movement is pointless unless the first movement is there; it exists to counterbalance the first movement.And before I got into Classical, I enjoyed the first movement a lot. But after 100 times of hearing it, I have no intereste in ever hearing it again. I guess you could say burnout.
Last edited by jalex; Aug-27-2012 at 20:09.
6 is my personal favorite, though I've enjoyed them all tremendously.
The Karajan digital 9 is my favorite recording for the finally, Jose van Dam uniqueness is the main reason, this was my first recording of the work, making me bias perhaps.
The striking difference in the mood of the popular movement in the 7th puzzles me as to the whole of the work.
It's not that hard to notice the contrast between the movements if you've heard the first movement a 100 times. It just seems like a waste of time to go back to first movement again. I've had Beethoven's greatest hits for a good 10+ years. It's not Beethoven's fault that the first movement got so overplayed. I see nothing wrong with my opinion or CoAG's. And disrespecting CoAG for no reason other than his age as well.