GERALD FINZI

A pacifist who believed that creative artists were the prime representatives of a civilization, Gerald Finzi is perhaps best known as a composer of songs. He believed that all texts of artistic merit can be set by composers who wish to work with their artistic substance; none are either too fine or too familiar. Many of his songs are set in an aria-like style. His accompaniments, designed to complement and support the material of the singer, are often reminiscent of the treatment given his short orchestral works. Finzi was influenced in his melodic and harmonic vocabulary by the music of Elgar and Vaughan Williams. His works also show a strong influence by the music of J.S. Bach.

The son of an English ship broker, Gerald Finzi began to study music with Ernest Farrar in 1914. When Farrar joined the army in 1916, Finzi began to study with Edward Bairstow at York. In 1922, drawn to the English countryside, Finzi moved to Painswick in Gloucestershire to work in isolation. Then, in 1925, on advice from Boult, Finzi began to study counterpoint with R.O. Morris in London. From 1930 to 1933, he taught composition at the Royal Academy of Music.

In 1933, Finzi married artist Joyce Black. In 1935, the couple moved to Aldbourne in Wiltshire. Then, in 1937 they built a house, designed for them to work in, on a 16-acre site on the Hampshire hills at Ashmansworth. From this base of operations, Finzi composed, assembled a music library, and tended an orchard of rare apple trees. He also traveled, taking whatever adjudication, examination, or committee work was offered him.

In the winter of 1939, Finzi founded the Newbury String Players, a group consisting mostly of amateur musicians. Since Finzi was neither a pianist nor a singer, the orchestra became the composer's primary performance vehicle. Through this ensemble, he became an advocate of many young performers and composers, as well as a champion of English works from the eighteenth century. He kept the group together from 1941 to 1945, during which he worked at the Ministry of War Transport in London.

In 1951, Finzi learned that he suffered from a form of leukemia. He was told that he had, at the most, ten more years to live. He kept this news within his family, simply continuing to work between his treatments. In 1955, he gave the Crees lectures at the Royal College of Music; providing a somewhat provocative survey of the history and aesthetics of English song during which he presented his principles of text setting.

However, the leukemia eventually weakened the composer's resistance to infection. He died of shingles in 1956, after a chance encounter with chicken pox at the 1956 Gloucester Festival. After his death, his library of music from 1740 to 1780, at the time considered the finest collection of materials from that period in all of England, was donated to St. Andrews University, in Fife. His library of English literature, from which he had drawn so much of his inspiration, is located in the Finzi Book Room at the Reading University Library.

[Biography taken from AllMusic.com]


What do you guys think of this unappreciated English composer? He wrote some very beautiful, lyrical works.

Unfortunately, I have heard only two works of his, both of which are mellow, pastoral and relaxed - it's the Pastoral (why on earth is it pastoral, I wonder? ) and Dies Natalis.

I do like both, although they seem somewhat languid.

The mystical texts for the Dies Natalis made the piece itself more interesting to me, but I have to say the final aria is beautiful as it is, as pure music, I mean. And the Pastoral is truly calming and fresh.

I'd really love to hear more of his work, but he's extremely hard to get here, I'll have to make orders on Amazon.

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''Oh, the String Quartet - oh, the Divine Scratching!''

Finzi composed beautifully lyrical pieces of music. What they lack in "drama" they make up for in stunning color and texture.

I have only recently become a fan of his music, so I'm still new to him. I do know, however, I like his orchestral works quite a lot. His "Clarinet Concerto," "The Fall of the Leaf," "Cello Concerto," " Eclogue," "Love’s Labour’s Lost," and "In Terra Pax" are gorgeous works that I wish orchestras played more.

I consider myself to be Finzi's musical grandson. I was a student of Kenneth Leighton who was one of these young composers advocated by Finzl. You can hear very clearly his influence in my own work. I adore his music and never fail to be moved by it. The recent recording of the Violin concerto by Tasmin Little and the City of London Sinfonietta under the direction of Richard Hickox is one of the best. There are the two string orchestra pieces on this CD too along with a song cycle orchestrated by various leading young british omposers including Judith Wier.
One of my favorite 'chill-outs' is the Eclogue for strings and piano. This is what J.S. Bach would have sounded like had he lived in our time, I'm sure. Nice bit of research by the way MI! The apple business is a nice foil to Delius's venture with oranges in Florida.

I think Chandos have undertaken a 'Complete Finzi' project recently so there will be no need for Lisztfreak to worry!
FC

That's really awesome, Post-Minimalist! I have about 4 or 5 Finzi recordings coming and one of them is that recording on Chandos you're talking with the Violin Concerto, which, by the way, is second time it has been performed. I'm really impressed with Finzi's lyricism.

It's funny you mention Delius, because I feel Delius is just as underrated as Finzi is. Hardly no one I talk to even listens to Delius why do you think this is Post-Minimalist?

Oh my, what a blatant mistake! It's Eclogue, not Pastoral!
Thanks for mentioning Eclogue, post-minimalist, otherwise I wouldn't have noticed.