This week’s Tuesday Blog presents a trio of symphonies by a pair of Scandinavian composers – one well-known, the other less.
Let’s start with the better known of the two composers. Jean Sibelius wrote seven symphonies; and his Third Symphony represents a turning point in Sibelius's symphonic output. His First and Second symphonies are grandiose Romantic and patriotic works. The Third, however, shows a distinct, almost Classical desire to contain the largest amount of musical material
Vinyl’s Revenge presents a pair of orchestral suites by Tchaikovsky that have in common elaborate “Theme with variations” movements.
Tchaikovsky is credited with six (seven if you count Manfred) symphonies and four orchestral suites. As he wrote to his patron Nadezhda von Meck in 1884 "[A suite] has for some time been particularly attractive to me, because of the freedom it affords the composer not to be constrained by any traditions, conventional methods and established
As I scrape the drawer for Once Upon the Internet material, I thought I would share some music I downloaded from podcasts produced by WGBH in Boston, one of the flagship stations of the American Public Broadcaster, NPR.
The works on the playlist are from some of your favourite composers, and played by musicians based in the North-Eastern US and (in the case of Jonathan Crow, long-tome associate concertmaster of the Montreal Symphony and now concertmaster of the Toronto Symphony) Eastern
Terry Blain writes in classical-miusic.com that Ottorino Respighi falls into that unenviable category of a composer whose reputation rests unduly on a particular work, or group of compositions. In his case it is the so-called ‘Roman Trilogy’, three separately conceived orchestral pieces penned between 1916-1928, his prime creative period.
The popularity of the Trilogy has often been attributed to Respighi’s undeniable brilliance as an orchestrator, his ability to conjure a
1. Domus (1985)
2. Trio Wanderer, Tamestit (2008)
3. Hubeau, Gallois-Montbrun, Lequien, Navarra (1970)