CDs, records, DVDs, downloads, etc.
This month, I have programmed two Once Upon the Internet posts. This week’s completes last week's audition of the complete Caprices for Solo Violin by Paganini, in the legendary first recording by American violinist Ruggerio Ricci.
Born in San Francisco in 1918, Ricci began learning the violin at age six and was taught by Yehudi Menuhin's teacher, Louis Persinger. A recognized child prodigy, and winner
On my platforms this month, it's "F" for February, a fun look at themes that share in common the letter "F", like, well, the Fibonacci Sequence.
In the book Liber Abaci (Translation: The Book of Calculation, published in 1202), the author considers the growth of an idealized (biologically unrealistic) rabbit population:
A newly born pair of rabbits, one
Updated Feb-04-2014 at 11:28 by itywltmt
For those unfamiliar with our monthly recordings review - If Sound Quality (SQ) and Overall Impression (OI) grades need further context, feel free to visit earlier posts in this series.
My acquisitions for January
Sibelius The Simphonies Paavo Berglund
The late Paavo Berglund (1929-2012) has demonstrated himself to be a versatile conductor,
Today’s instalment of Once Upon the Internet presents four of the 18 “numbered” piano sonatas in Mozart’s catalog. Even if we add the doubtful or fragmentary sonatas found in the catalog to those 18, the number doesn’t compare to Beethoven’s (32), Haydn’s (over 50) or Scarlatti’s (over 550). They are modest in scope when compared to Beethoven’s or Chopin’s, but varied in their pianistic requirements and in their overall texture.
All four of the sonata
Updated Jan-21-2014 at 14:59 by itywltmt
Last week's PTB provided a performance of Tchaikovsky's Fourth Suite. This week, I wanted to complete the set by providing performambces of the first three.
Tchaikovsky's orchestral output includes six "numbered" symphonies, the Manfred Symphony and a Symphony in E Flat (reassembled from sketches after his death). Additionally, between 1878 and 1887 Tchaikovsky wrote four "numbered" suites for orchestra, following the tradition of Bach