It rhymes in Russian which is the funny part. He must have been very amused to read it... especially the allusions to tasty stuff...
Многоуважаемый А.К. Глазунов
Вы который, Вы, который
Нам Бетховена милей,
Самый ранний, самый скорый
Вы, которому хваленья
Сыплет мир со всех сторон,
While people celebrate Bach's 331st birthday, today also marks the 80th anniversary of Glazunov's death. He died in Paris in 1936 in exile, but not alone. There by him were his wife and adopted daughter, and Russian friends who also lived in exile with him. He had a very honorable funeral in Paris where all his contemporary friends came, Russians and non-Russians. The column stone that resides on his grave today is
Updated Mar-21-2016 at 20:30 by Huilunsoittaja
Leaving the "plot hole" aside, that drew my attention to other things, the performance itself. Overall, I approve of the conductor. He picked some excellent interpretations for some of the numbers, though on certain things I heavily disagreed on. But another thing struck my attention: the orchestra was holding itself back. But... why? This isn't opera where the orchestra could easily overpower singers! This is ballet! Can music overpower dancing? Pish-posh! The absolutely awesome sections
Updated Feb-25-2016 at 19:12 by Huilunsoittaja
Waking up this morning, it dawned on me.
I wanna go back and see it again tonight.
And tomorrow night. And the night after. EVERY TIME.
Let me start from the beginning, just a very simple chronological description of events.
It took me almost 2 hours to get to the Kennedy Center but I still arrived 40 minutes early. It was pouring like crazy, like a typical summer thunderstorm!
In that picture of the Kennedy Center Opera House, I'm sitting on the floor on the left side, 3 rows away from the pit. I'll have great sound besides a great view, I think. I'm gonna be in the thick of the crowd!
A friend of mine posted on Facebook that she had gone to see Raymonda last night, and she was raving about it. I had no idea any of my other friends knew about