This week’s Vinyl’s Revenge is an old favourite recording of mine, featuring Karl Böhm conducting four works by his friend and mentor Richard Strauss, including two of his oft-heard tone Poems: Till Eulenspiegel and Don Juan.
I thought I would sjhare with you excerpts from a Gramophone interview from 1972 authored by music critic Alan Blyth. In it, there are a pair of long anecdotes about Richard Strauss and their mutual admiration:
"[…] I met Strauss for the
I joined TalkClassical in May of 2011, and started my Tuesday Blog a few weeks later. The landscape hasn’t changed much – some of the TC lurkers have come and gone, but I have tried to stay the course, though my contributions have been limited to a few per month over the last while. Balancing work, home and my pastimes can be a challenge!
Allow me to take a moment to thank my fellow TC’ers – past and present – for their continued support and readership, as well as for their
This week’s Vinyl’s Revenge considers another EMI re-edition from my personal vinyl collection.
As was the case with the Klemperer disc I shared in March, and the Muti/Tchaikovsky disc I shared last year, today’s recording was part of the Angel “Red Label” series of reissues I purchased in the early 1980’s. A fourth disc – Giulini’s recording of the Brahms First Symphony – made it to a Brahms montage on my Friday Podcast series in 2013. Those three discs all had in common
For this month's Once Upon the Internet, I chose to share a rather recent discovery, and one that brought back lots of personal memories.
About 30 years ago, I was in Graduate School and I was still doing a lot of Classical Music Radio listening. One of the shows I listened to regularly was a CBC Stereo program whose name has changed many times over the years - I think it was then called In Performance.
The program, weeknights at 8 PM, regularly featured live concerts,
This week, I am planning a pair of posts featuring the pairing of Otto Klemperer and the Philharmonia Orchestra. Today’s Tuesday Blog is one of our Vinyl’s Revenge segments, highlighting a favoutite recording from my old vinyl collection.
It is commonly thought that the Philharmonia Orchestra was primarily formed for recording purposes by Walter Legge, a recording producer for EMI - but that was not Legge's intention. He had been Sir Thomas Beecham's