Has anyone with a baroque setup on their instrument ever experimented with equal tension? This is a very vague area and I'm not even sure it should happen - how do you play scordatura, for instance in equal tension? Plus the violin family are not symmetrical istruments. The soundpost is not in the centre like on a viol. the bridge height varies, so should the instruments even be set up in equal tension? I want to know more about this.
A colleague has done some research in this field and has just published a fascinating essay into equal tension stringing. You can get it from kings music and it was written by oli webber. I don't remember what it's called, but its written from a players perspective and contains advice as to how you should experiment with equal tension strings.
Would love to know your thoughts on this