Thread: The Shostakovich Symphonies poll

5, and 7, and 10, and....

dj

Symphony No. 5 for me. Well, that's the only one I've heard so far. And it was live in the concert hall! Enjoyed it alot!

As above, except I played it

I've only heard the 5th Symphony. My orchestra played it. It is an amazing work!

Originally Posted by music17

I've only heard the 5th Symphony. My orchestra played it. It is an amazing work!

Exactly the same for me

11, 10, 7, 9, 5, 4 The fifth is good, but not his best in my opinion.

Cato, the fifth didn't really beat out all the others. As people said, the fifth is the ONLY one they've heard.

Now THAT's incredible.

Really, folks. Y'all shouldn't vote for favorites unless you have a favorite! Choosing the fifth out of your personal list which consists of only the fifth?

I've listened to all of them, many times, and that's why I didn't vote for a favorite. Because they're mostly all pretty good in one way or another. I'm not terribly fond of number seven or twelve or fourteen. But who cares? Those three all have their proponents, for sure. Best I can do is say that the fifteenth is probably the best and that the eighth and the fourth are the two I listen to most frequently.

Voting for 10, where he really started to break from the mould and express himself. No more of that social realism, he said. The scherzo is demonic, the rest desolate until the end of the last movement.

Edit: I prefer Karajan's version, the most taut of performances

Of course, that doesn't preclude the fact that there are some "gems" to be found before the "entry work." For instance, Sibelius 1 and Shostakovich 4 are notable.

I have finished listening to my new complete Shostakovich symphonies box, so I feel rightful to vote now.

Of those listed, I choose the 11th. Very, very dark and powerful.

However, my real favourite is in fact the 8th. The longest and most profound nocturne I've ever heard, that's how I'd describe it.

Other highly memorable pieces:
- No.4 (especially the second half of the last mvt, when the timpani take the ostinato bass and then the quiet ending)
- No.5, a tour-de-force
- No.6, with surprising contrasts
- of course, the Leningrad 7th
- No.9 was a pleasant surprise
- I didn't quite manage to get into No.10, but it's genuinely austere - in Shozzy's style
- No.12 (first, third and the first half of the final mvt)
- No.14 (very dark, once again)
- No.15, strange but unforgettable

P.S. In fact, nearly all are extremely good.

Perhaps surprisingly I heard the 4th before any other of his symphonies. This was in my early exploring days when I didn't know much about classical music and I used to borrow records from a library. Well, number 4 just happened to be one of the few Shostakovich symphonies they had in. It was Ormandy's pioneering record in the early 60's just after it had been played for the first time having been put in a drawer for 28 years.

I just think it has just about everything you need in a piece of music. Massive mood changes. Big climaxes. Resourceful use of orchestra. A great ending. Just waiting for that last tinkle on the glockenspiel is amazing. Only a great composer like Shostakovich could make such a simple thing so meaningful.

OK, structurally it is not brilliant at least in the first movement, but for me that doesn't matter when the music itself is so good.