for what kind of solo pieces are you looking? I recently went to a performance by the Italian composer Lucia Ronchetti (www.luciaronchetti.com/) and she did compose some amazing vocal music. You should check out her website if this is interesting for you!
Good suggestion. Also, check out the bass arias in Handel's Messiah. "Thus Saith the Lord" is one of my favorite bass arias from the Messiah. It has this great line "I will shake the earth" where the notes actually seem to shake!
Ralph Vaughan Williams has a ton of wonderful stuff in English for bass/baritones:
The House of Life song cycle
Songs of Travel song cycle
Dona Nobis Pacem for baritone and soprano (with a couple of juicy baritone solos; maybe high for a bass)
Five Mystical Songs
Try to find the Horace Tabor aria "Warm as the autumn light" from The Ballad of Baby Doe by Douglas Moore. There is also a nice duet or two with Baby Doe (soprano).
There are a ton of bass/baritone arias from operas by Benjamin Britten. BTW, the way you pose the question is confusing: Are you looking for arias for bass or baritone, or for an intermediate bass-baritone type of voice.
Endless beauty awaits, VanCrusty! I have been exploring baritone pieces, too. It just happens to be the case that German and some Italian are the languages. Translations are very easy to find. (I have to log off for several hours but I just wanted to post a few before I go.)
Matthias Goerne (the man has a voice that could melt concrete and an intensity that could raise the dead)--I'm starting with videos that I have in my YouTube playlists--quicker to post...will post others later:
Bach, Cantata 82, Ich habe genug
Shubert, Liederen
Schubert, Die schöne Müllerin
Wagner, O du mein holder (This CD is an ABSOLUTE MUST PURCHASE! I just bought mine two weeks ago.)
I'm very glad to meet another relative newbie to some of this music--I'd love to have someone else join me in my explorations!!!
Charles IVES: "General William Booth Enters into Heaven" (1914)
:: Gramm & Cumming [ST/AND; Vox]
This schizophrenic/phantasmagorical little song is the "Bohemian Rhapsody" of early 20th-century art song and represents Ives in a nutshell. It sets a 1912 poem by Vachel Lindsay that memorializes the founder of the Salvation Army, General William Booth, who had gone blind and then died that same year. The poem has the blind Booth leading a grotesque army of lepers, cripples, drunkards, drug addicts, criminals, prostitutes, Talk Classical members, etc., in a march to Heaven. As he's parading them in a procession just outside the Pearly Gates (the "court-house doors"), Jesus comes out and "in an instant" cures them of their maladies and welcomes them into Heaven. Ives must have felt like a pig in slop while setting this poem, as it couldn't be any more suited to his nature and talents as a composer of songs, and he of course pulls out all the stops to exploit the veritable cornucopia of vivid imagery and potential material to quote (the Salvation Army hymn "Fountain," for example). Not only is the vocal part eyebrow-raisingly bold and varied, but so too is the piano part. Gramm & Cumming give by far my favorite performance of any Ives song on record-it simply reeks of Ives (as both his champions and his detractors will attest).
Yes, the Finzi sung by Finley above is exquisite. Gerald Finzi wrote dozens of songs for low voice and Boosey and Hawkes has collected 54 of them in "8 cycles or sets," a great collection distributed by Hal Leonard Corp. ISBN 978-1-4234-5677-3. Very good suggestions jenspen, many of the songs mentioned in this thread are quite gratifying to sing yet can be challenging to interpret.
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