- Thoughts on Textbooks by Walter Piston
- Where to Learn Harmony/Music Theory since the Romantic Era
- Best way to learn to compose
- What is this section exactly on this Music Theory 'Cheat Sheet'?
- What scales (degrees) did Johann Sebastian Bach use?
- La Pastorle
- 3/4 exceeding bar: double?
- Squential Motion
- Fast tempos in authentic performances of baroque music
- Pop song vs. Sonata form
- Sonata Form Analyses.
- Classical music and non-classical music
- question about vivaldi key change
- Second Year Harmony book.
- BPM for Mahler's "Ich Bin Der Welt"?
- How would you treat this chord progression?
- Question about the Natural minor scale G aeolian mode
- “Write like Mozart”, a free course
- Voice leading question
- Classical concertos
- Music Theory for Classical Music Exams
- Best way of studying modern composition techniques?
- Polyphony technicalities
- When women started to sing in sacred works?
- How best to study specific composers?
- Choir size in Renaissance Polyphony
- How to define a movement in Baroque music?
- Books on late nineteenth/early twentieth century harmony and voice leading
- Beethoven's 7th Symphony, 2nd movement
- bemused
- Help requested re Walter Piston's Harmony
- Analysis of Schbert's chamber works?
- Oral composition, traditional music, and using oral composition in classical music
- key & mode question in 2 songs
- Nested Tuplets: Beginning to Approach Them Methodically
- Janacek's Harmonic Language?
- Combining different styles of music?
- George Russell's Lydian Chromatic Concept
- Favorite use 1/2 dim chord
- Sound and the Fibonacci Sequence
- Terms. Tonic Subdominant Dominant
- Chord inversions or something else making my track sound weird?
- Dynamics and classical music
- Choosing a key
- first listen for classical ain't worth a thing music is likee a fruit you slowly pea
- Piston's exercise from scales fragments
- Opus Infinate: Sound
- Voice Leading on Romantic Era
- Different Time Signatures and Themes - which to present first?
- Harmonic Centricity
- Composing, Musical vs. Opera
- Graphic/Visual Scores: where's the chat at?
- Countertenor and Castrato voices in Baroque Opera
- Has anyone heard of the The Atheist Codger Series?
- Tonality is established by root movement in fourths and fifths
- Natural, Harmonic, and Melodic minors
- Who was the author of Toccata and Fugue in D minor, BWV 565?
- Need Help with Figured Bass
- The Guitar and the Piano: Differences
- is there a convention for tempo changes in Tarantellas?
- Why does a II -> V sound jazzy even without the rhythm of Jazz?
- After a long time, back to theory with a simple question - Voice leading IV-V
- 4 part-writing exercise - need evaluation
- Music Theory Books
- Questions about orchestral score
- I need help with the harmonization of this melody with ground bass
- Schoenberg's Theory of Harmony
- Khan Academy`s music course (narrated by Gerard Schwarz)
- Voice leading question
- History of Orchestration
- Figured bass - Question on a specific case
- Geometric Voice Leading Presentation
- Trills
- Figured bass for a Dom 7th chord
- Music ideas