- I don't fully understand key signatures. (Beginner)
- "Hum" created by lower strings
- Cassiopeia
- March in canon, why is it so dissonant
- What key to have the B section in?
- Why do I not hear polytonality with some keys?
- Analyzing an orchestral score (Symphony Eroica)
- Counterpoint as the hardest skill
- Help understanding piano music sheet
- Voice leading question
- Note value of a chord / Reducing chords to single notes
- Why is a harmonious canon so hard for most intervals?
- How does E7 fit with A Minor
- Enharmonic Equivalents
- Mizrahi music
- Time signature
- What is Music Theory?
- Decoding Beethoven
- A requiem's (not just Mozart's) "lyrics"
- Bach's choices in the chromatic ascent cross-over in the two WTC books
- Need Advice on Triplet Notation
- Classical/Romantic Concerto Sonata-Rondo Form
- Whistling Through Pursed Lips: An Interesting Phrnomenon?
- 8th Triplet note counting
- Is there a name for these effects in music?
- Baroque "chord progressions"
- Dragon-inspired Classical music?
- What constitutes a Trio?
- Overtone Spectrum Analysis Software
- Orchestration
- Is Locrian a minor mode or a diminished mode?
- Transposing and its effects
- Unaccented passing note
- Bach's Tuning
- Can you believe the Edward Elgar constructed his original theme out of 3 hints at Pi?
- atonal notation
- How to get more familiar with C clefs
- Tritone use
- What did Brahms mean by "true dissonance"?
- What chords is Angelo Badalamenti using in the main theme from Fire Walk with Me?
- Difference between appoggiatura and accented passing note
- Metaquestion: Why do you think posts to the theory sub-forum are so infrequent?
- Arppeggio question
- A Beatles song
- Harmonic puzzle, did I solve it?
- Experiences with Scanscore Anyone?
- Superb video on the "modulation cube" by 12tone
- Is there a name for this Medieval/Renaissance cadence?
- Chromatic diminished 7ths in Beethoven rondo, how does this harmony work?
- Learn counterpoint with automatic counterpoint exercise analyser
- Working out my F-minor chord pattern
- How to figure out if I have a good subject or not, is my strategy good?
- Jazz Theory with Barry Harris
- What are we to expect of Classical music in the future?
- Writing in major or minor without the "restriction" of the scales
- Increasing / Decreasing intervals
- Polymeter & Polytempo - The Differences (And Did Hack Music Theory Get It Wrong?)
- Why did Bach suspend the tritone here?
- Using G major as a secondary dominant to C minor?
- The Fermata is Wild
- How and why do composers pick keys?
- How does math come into play when composing music?
- Name this cadence
- Getting stuck figuring out a countermelody
- Perfect Pitch
- Should I use plagal motion to go back to G major?
- It is less respectable to compose in a minor key/dark mood?
- What makes a piece a Bagatelle?
- Why are keys a fifth away most closely related?
- Making a plagal cadence sound convincing as an ending, How?
- Why do root movements a fourth away tend to weaken the tonality of the key?
- Melodic chaos with harmonic grounding
- borrowing major bVII in harmonic minor?
- Why Is C Major Called A "Diatonic" Scale"? What Does "Diatonic" Mean?
- Creating a sense of being lost