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Classical Music

  1. GOLDEN BOY in a Golden Age of Broadway: An Original Cast Recording Review

    Golden Boy. Book by Clifford Odets and William Gibson; Music by Charles Strouse; Lyrics by Lee Adams. With Sammy Davis, Jr. (Joe Wellington); Paula Wayne (Lorna Moon); Billy Daniels (Eddie Satin); Kenneth Tobey (Tom Moody); Johnny Brown (Ronnie); Terrin Miles (Terry); Lola Falana (Lola). Capitol Records, 1964.



    When it comes to Broadway musicals, there are hits, there are flops, and there are hits
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    Updated Jun-15-2019 at 23:27 by Bellinilover

    Categories
    Classical Music , Non-Classical Music , Personal , Recorded Music
  2. ELEKTRA and CARRIE

    Birgit Nilsson as Elektra, 1960's

    Elektra and Carrie


    In April 1988 the musical version of Stephen King’s Carrie began a chaotic series of previews at Broadway’s Virginia Theatre; it never opened officially and for years was best remembered from author Ken Mendelbaum’s descriptions of it in his funny, insightful study of failed Broadway musicals, Not Since Carrie (1991). According to Mendelbaum, Carrie
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    Updated Apr-22-2019 at 19:20 by Bellinilover

    Tags: musicals, opera
    Categories
    Classical Music , Non-Classical Music , Opera
  3. A Look Back at Paramount's WUTHERING HEIGHTS and the BBC's JANE EYRE

    Despite my love for Strauss and late Verdi, early-Romantic bel canto opera is my favorite. If Bellini's operas and many of Donizetti's will never be wildly popular, if Verdi's Attila will never be played as often as his Aida, then Verdi's last bel canto-like works (La Traviata in particular) are among his most popular today. I'd venture a guess that most people like Beethoven's music, and that Rossini's music pleases so many because it's similarly rhythmic; the musicologist Robert Greenberg once
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    Updated Mar-27-2018 at 21:16 by Bellinilover

    Categories
    Classical Music , Opera , Visual Arts , Literature
  4. A Tale of Two TOSCAs

    From its stern and then scurrying opening measures and its several, famous, semi-spoken lines (Tosca: "Non posso piu"; "Quanto?...Il prezzo"; "Questo e il bacio di Tosca"; "E avanti a lui tremava tutta Roma"), to its tense second act and tragic third, Puccini's Tosca (1900) is to opera-goers so familiar as to be almost a cliché. This writer can hear the whole work, from start to finish, in her mind's ear; "definitive" renditions like the 1953
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    Updated Apr-12-2018 at 20:14 by Bellinilover

    Categories
    Classical Music , Conductors , Opera , Recorded Music
  5. What Makes Them Great?: Javert's Songs in LES MISERABLES

    Few musicals of the last thirty years can claim as many hit songs as can Alain Boublil and Claude-Michel Schoenberg’s ubiquitous if powerful Les Miserables. “I Dreamed a Dream,” “Do You Hear the People Sing,” “One Day More,” “On My Own,” “Bring Him Home,” and “Empty Chairs at Empty Tables” are among the titles that have, through the decades, become household names–and not in theatregoing “households” only, as Act I’s concerted finale, “One Day More,” has inspired
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    Updated Jan-15-2018 at 06:01 by Bellinilover

    Categories
    Classical Music , Non-Classical Music , Recorded Music
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