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  1. In Memoriam André Previn (1929-2019)

    This month’s Vinyl’s Revenge is our final tribute to notable musicians who have left us in 2019. After a pair of Austrian pianists, we offer today a tip of the hat to the German-born American “triple threat” pianist, composer and conductor André Previn.

    According to his obituary in the Guardian on line:

    The conductor, composer and pianist André Previn, who has died aged 89, was not only among the most charismatic performers of his day, but also enjoyed one of the
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  2. Daniel Barenboïm & Beethoven

    A little early for our quarterly/fifth Tuesday podcast for October; mainly because of the way programming has been going for the past few weeks, I figured I owed something new…

    The two new podcasts I have prepared for this month explore Beethoven in the context of arrangements and orchestrations. The main feature this week, Beethoven’s piano concerto op. 61a, is a straight-forward adaptation of his violin concerto, substituting the violin for the piano.

    According to Wikipedia,
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    Updated Nov-23-2019 at 22:06 by itywltmt

    Categories
    Classical Music , Composers , Conductors , Musicians , Recorded Music
  3. Four Overtures by Charles Strouse

    Any serious fan of Broadway musicals has no doubt heard that the three greatest overtures are those for Gypsy, Funny Girl, and Candide. It is true that these overtures are all uncommonly creative in their blending of melodies from the respective shows’ scores, though I half-suspect the Candide one is “the greatest” mainly because Leonard Bernstein wrote it. De rigeur for Broadway musicals since the 1920’s at least, the overture fell somewhat out of fashion from the 1960’s onward; Charles
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    Updated Oct-12-2019 at 21:40 by Bellinilover

    Categories
    Classical Music , Composers , Non-Classical Music , Opera
  4. Berlioz, Sir Colin Davis, Staatskapelle Dresden ‎– Overtures

    This week we resume our Tuesday Blog post-summer hiatus with a Cover 2 Cover playlist that serves as our Berlioz Year contribution, marking as many did the 150th anniversary of the composer’s death.

    Berlioz’s compositions represent the epitome of the romantic period, sometimes with epic works, sometimes with works that explore the complexity of human emotions – most notably his own struggles within his relationships. No doubt, the short set of overtures proposed today put all
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  5. Glazunov's Writings, Blog 7: For the Centenary of Schubert's Death - PART II

    We continue the article from 1928:

    The undoubted imprint of the wide element of Schubert’s work is also reflected in Russian music, originating from Glinka, one who lived in the first half of the 19th century and whose name Anton Rubinstein, in his famous book included among the five world geniuses.
    It is quite possible, however, that this community of some highlights in Schubert and in Glinka’s operas is purely random, because Glinka hardly had the opportunity to hear
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