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  1. PTB Classic - Glenn Gould Plays Beethoven Piano Sonatas nos. 12, 16 & 17

    Today's PTB Classic post is the second set of Beethoven sonatas in out three part series, which we also trust to Glenn Gould. Last month, we considered five sonatas, this week three sonatas, recorded in 1973 and 1983, respectively.

    The 1983 digital recording is that of the "Funeral March" sonata, amd the last two (from 1973) are two of the three sonatas from the op. 31 set.

    As we discussed the aesthetic around Gould's approach on Beethoven as part of last month's post,
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  2. Schumann, New Philharmonia Orchestra, Otto Klemperer – Symphony No. 3

    To conclude our three-part look at Schumann’s symphonies, I chose my favorite of his, the Rheinish. It was composed in1850, the same year that he completed his Cello Concerto (which was published four years later).

    Schumann was inspired to write the symphony after a trip to the Rhineland with his wife Clara. This journey was a happy and peaceful trip; he incorporated elements of the journey and portrayed other experiences from his life in the music.

    There are two forces
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  3. Glenn Gould Plays Beethoven – Piano Sonatas 5-10

    Today’s Cover2Cover post launches a three-part series of shares of Beethoven piano sonatas. I avoided programming Beethoven so far in 2021, simply because we had so much of it last year for the 250th anniversary of the composer’s birth. However, one area we did not dedicate much Tuesday Blog posts on last year was the vast corpus (32 in all) of his piano sonatas, spanning the whole arc of his career as a composer. Over this short set, we will consider almost half of those – 15 in fact – which
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  4. PTB Classic: Robert Schumann

    Today’s Tuesday Blog is the second of a three-part series where we consider the four symphonies of Robert Schumann. In this “PTB Classic” playlist, Sergiu Celibidache leads the Munich Philharmonic in a pair of live concert recordings featuring the second symphony and the piano concerto in A Minor.

    In the year 1845, Schumann embarked into intensive study of counterpoint with his wife, Clara. He began to compose away from the piano, as he noted in his writing: “Not until the
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  5. Manfred

    We may have skipped the last quarter of 2020, but we are back with a new quarterly Tuesday installment of our ongoing series of podcasts – number 354 and closing in on our 365th later this year.

    The common thread between the two works featured today is Lord Byron’s dramatic poem Manfred. The title character is a Faustian noble living in the Bernese Alps. Internally tortured by some mysterious guilt, which has to do with the death of his most beloved, Astarte, he uses his mastery of
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    Updated Mar-30-2021 at 13:20 by itywltmt

    Categories
    Classical Music , Composers , Recorded Music
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