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This week, our lone Tuesday Blog share for July completes our two-part look at Liszt’s transcriptions of Beethoven’s symphonies, with a performance of the Pastoral Symphony.

For the past few months, we have been living through a pandemic and, as I considered musing about this week’s share, I got to wonder how Glenn Gould – a notorious germophobe – would have fared through a situation like this one. My conclusion is simple: I think he would done just fine, given he lived

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1. Schiff, Végh (cond.), Salzburg Mozarteum Camerata Academica (1988)




2. Brendel, Marriner (cond.), Academy of St. Martin in the Fields (1978)




3. Staier (piano & cond.), Concerto Köln (1994)

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1. Richter (1961)




2. Gilels (1974)




3. Berman (1992)




4. Bronfman (1987)

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1. Pollini (1971)




2. Richter (1958, Moscow)




3. Horowitz (1945)




4. Argerich (1967)

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1. Pogorelich (1983)




2. Richter (1960, Carnegie Hall)




3. Bronfman (1991)




4. Nissman (1988)

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