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To conclude our #Beethoven2020 series on the Tuesday Blog, we consider Beethoven’s Choral Symphony and Consecration of the House overture, which were both premiered at the same concert, on 7 May 1824.

The recording I selected today is a historic recording featuring Felix Weingartner, a contemporary to Mahler and Toscanini in one of the earliest available recordings of this seminal work . Weingartner was respected as much for his musical scholarship as his conducting. In 1906, he

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We usually take time in November to remember great artists we have lost, and it is in that context that we remember the thirtieth anniversary of the passing of Leonard Bernstein.

Further, this is also “Remembrance Week” (tomorrow being Remembrance Day) and the 75th anniversary of the end of World War II. It is in that context that I am sharing a pair of works by Igor Stravinsky that were composed during the 1939-45 timeframe.

Stravinsky wrote a symphony at the very

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1. Klemperer (cond.), Söderström, Höffgen, Kmennt, Talvela, Philharmonia Orchestra & Chorus (1965)




2. Gardiner (cond.), Margiano, Robbin, Kendall, Miles, English Baroque Soloists, Monteverdi Choir (1989)




3. Bernstein (cond.), Moser,

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This month's installment of our #Beethoven2020 series (the penultimate installment) shares two vinyl albums from my collection - one of them completes the "piano concerto" cycle we undertook when er launched this series earlier this year.

Let's start there - Rudolf Serkin recorded all of the Beethoven concertos - some of them more than once, under Eugene Ormandy, Bruno Walter and Leonard Bernstein, The Bernstein collaboration on the Emperor concerto was reissued several

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This week's Tuesday Blog is a near-COver2Cover share of Henryk Szeryng's complete Mozart Violin Concerto cycle.

Back in February of 2016, I shared in these pages a vinyl pressing of two of these concerti - numbers 3 and 5. Today, we share the remaining tracks from that cycle, including three short concerto movements.

As I wrote back then, Szeryng's noble tone, flawless technique, and eloquent expressivity are wonderfully well-suited to Mozart's youthful concertos,

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