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We continue the article from 1928:

The undoubted imprint of the wide element of Schubert’s work is also reflected in Russian music, originating from Glinka, one who lived in the first half of the 19th century and whose name Anton Rubinstein, in his famous book included among the five world geniuses.
It is quite possible, however, that this community of some highlights in Schubert and in Glinka’s operas is purely random, because Glinka hardly had the opportunity to hear

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This article was published in one of Leningrad's Academic journals in 1928, one of Glazunov's last written works before leaving the USSR to attend/adjudicate the competition for completing Schubert's Unfinished Symphony, and never to return to the USSR again.

Glazunov explained that the purpose of the article was to "remind Russian musicians of the global significance of the genius of Schubert and give ... the most concise description of his work. This is the reason for writing

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I’m surfacing from my summer hiatus with our “Firfth Tuesday” quarterly montage.

For this third montage for July, we conclude a three-part survey of soviet composers and performers with a set of Beethoven piano sonatas performed by Vladimir Ashkenazy, who left the Soviet Uniuon for the West in 1963.

Ashkenazy’s family moved to Iceland in 1968 where, in 1972, he became an Icelandic citizen. In 1978 the couple and their (then) four children (Vladimir Stefan, Nadia Liza,

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1. De Larrocha, Frühbeck de Burgos (cond.), London Philharmonic Orchestra (1984)




2. Haskil, Markevitch (cond.), Orchestre des Concerts Lamoureux (1960)




3. Rubinstein, Jordá (cond.), San Francisco Symphony Orchestra (1957)

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1. Hahn, Wolff (cond.), St. Paul Chamber Orchestra (1999)




2. Shaham, Previn (cond.), London Symphony Orchestra (1993)




3. Stern, Bernstein (cond.), New York Philharmonic Orchestra (1964)

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