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  1. Mahler, Wiener Philharmoniker, Pierre Boulez ‎– Symphonie No. 6

    This week’s Cover 2 Cover post completes our month-long look at Mahler symphonies, and in particular the set composed between 1903 and 1906. After the Eighth and Seventh (on my podcast this past Friday), now the Sixth.

    Mahler’s Symphony No. 6 is a symphony in four movements, composed in 1903 and 1904 (scoring repeatedly revised). Mahler conducted the work's first performance at the Saalbau concert hall in Essen on May 27, 1906. Mahler composed the symphony at what was apparently
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  2. Dissection of La Divina: The 20th Century Assoluta

    On December 2nd 1923, when an unwanted third child was born to immigrant Greek couple Goerge and Litsa Kalogeropoulos at Flower hospital, Manhattan, neither could have imagined that this soon-to-be chubby and awkward little girl would one day become the quintessential epitome of Opera.


    Maria Callas was, and still is, a legendary household name among Opera connoisseurs and neophytes alike, as well as outsiders of the genre who stumble upon her haunting recordings in one way
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    Updated Sep-16-2018 at 18:30 by Tuoksu

    Categories
    Classical Music , Talkclassical , Singers , Opera
  3. Rachel Podger concert with Norwich Baroque at Norwich Cathedral, September 15th 2018



    This was the second time we saw Rachel Podger and it was once again beautiful and compelling.

    Rachel is so engaged, not only with her music but also with the other players, the audience, and the venue. She plays as if it is all a delightful game, but a game which expresses all the joy of the universe
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    Uncategorized
  4. Mahler - Solti, Chicago Symphony Orchestra ‎– The Eighth Symphony

    For September, both of my Tuesday Blog installments are dedicated to the music of Gustav Mahler, featuring two of his later symphonies his “Tragic” Sixth and this week, his mammoth Eighth.

    Until 1901, Mahler's compositions had been heavily influenced by the German folk-poem collection Des Knaben Wunderhorn. The music of Mahler's many Wunderhorn settings is reflected in his Symphonies No. 2, No. 3 and No. 4, which all employ vocal as well as instrumental forces. From about 1901, however,
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  5. Carl Nielsen, New Philharmonia Orchestra, Jascha Horenstein ‎– Symphony No. 5

    This week’s Tuesday Blog, an edition of our continuing Vinyl’s Revenge series, considers the beaten path through Nielsen’s symphonies (engaged in this series a few weeks ago with the Inextinguishable). Today’s choice is its companion Fifth symphony – companion insofar as it is common on CDs to offer these two symphonies together as a “package deal”…

    This week’s conductor is an interesting character. In a New York Times article I stumbled onto in researching this disc , Alex Ross writes
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