Lots of discussion has been made recently concerning lists- one thing I think we can agree on is that the relative value of lists is proportional to the insight of the folks making the compilation- and that having been said, I think
this list, which had some pretty sharp opera folks taking a major role in its assembly, could be a useful acquaintance. I'll pull the 'French top-10' over here...
1. Berlioz,
Les Troyens (5 overall). [Repeating myself]- it's not just some institutional whim that led us to
Troyens. Donald Grout (of the famous text on Western Music) also asserts that this is an all-time masterwork.
2. Bizet,
Carmen (12 overall). We all already know about this one.
3. Offenbach,
Tales of Hoffman (24 overall).
4. Rameau,
Les Indies Galantes (46 overall). One of the many Baroque opera rediscoveries.
5. Massenet,
Manon (52 overall). Still the most famous Massenet opera.
6. Debussy,
Pélleas et Mélisande (53 overall). A 'marmite' opera. It's likely you'll either love it or hate it. It has enough lovers to keep it firmly in the repertory.
7. Berlioz,
Damnation of Faust (54 overall).
8. Gounod,
Faust (57 overall). There was a time when
Faust was arguably the most famous French opera of them all. Are we right to hold it in lesser regard? You can judge for yourself, because
Faust is headed for a Met-in-HD screening on December 10.
*9. Gluck,
Orfeo & Eurydice (60 overall). The asterisk is my reservation concerning considering this fully French... but regardless, the river of opera development passes unmistakably through Gluck- and so his work should be auditioned, if only for that reason.
10. Saint-Saëns,
Samson et Dalila (71 overall).
And yet, there are many French operas that some of our valued contributors failed to get on the top-100 list. I was only able to just sneak Thomas'
Mignon under-the-wire. A similar attempt with Charpentier's
Louise came up just short.
Sospiro long advocated for Thomas'
other major opera 'Hamlet' as worthy of a slot.
Elgarian nominated Massenet's
Cendrillon.
Happy exploring!