My mind energized by recent events at the University of Mississippi, I present this germ of an idea, adaptable to any music style from Romantic to post-modern:
Double-basses, slow crescendo... — pause — cymbal CLASH-'QUEER'-oboes & piccolos in diminuendo to silence... TAM-TAM-'******'...
It goes on for some time, until the bigotries run out. As you can see, it requires voice, but anything from a suitably charged solo voice to large choir could work. There could be interludes, party-like and/or serene... .
Many bigotries employ more than one 'touch-word'; how or if they should be used would be part of the creation process.
Double-basses, slow crescendo... — pause — cymbal CLASH-'QUEER'-oboes & piccolos in diminuendo to silence... TAM-TAM-'******'...
It goes on for some time, until the bigotries run out. As you can see, it requires voice, but anything from a suitably charged solo voice to large choir could work. There could be interludes, party-like and/or serene... .
Many bigotries employ more than one 'touch-word'; how or if they should be used would be part of the creation process.