Search Results for ‘classical/romantic’

Hello all, I was wondering if modes were ever used by classical and/or romantic composers. If so, can anyone point to some examples? Also, is the tonic-dominant relationship preserved in different modes? As in, in the dorian mode of C major, for example, with Dm as the tonic, is Am the new...

I'm currently writing a piece for an early Classic Orchestra with late Classical/Romantic harmony and when writing I find it hard to ignore rules of counterpoint, when writing for a large ensemble do you adhere to the rules of counterpoint strictly – also remember I am speaking about...