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NP:
Vaughan Williams
Symphony No. 6 in E minor
Utah SO
Abravanel
Vaughan Williams
Symphony No. 6 in E minor
Utah SO
Abravanel
One thing is wrong with this tracklisting --- this recording does not contain Ginastera's Estancia in its entirety. There are only two recordings of the complete ballet: Ben-Dor on Conifer (reissued on Naxos) and Mena (Chandos). This Dudamel is only of the dances.
Fiesta
Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel
Bernstein: West Side Story: Mambo
Bernstein: West Side Story: Symphonic Dances
Carreño, I: Margaritena
Castellanos, E: Santa Cruz de Pacairigua
Estévez: Mediodía en el Llano
Ginastera: Estancia - complete ballet, Op. 8
Ginastera: Estancia - dance suite, Op. 8a
Márquez: Conga del Fuego
Márquez: Danzón No. 2
Revueltas: Sensemayá
Romero, Aldemaro: Fuga con Pajarillo from from Suite for Strings No. 1 (Orchestral version)
Romero, Aldemaro: Suite para cuerdas (version for orchestra)
I bought that set years ago and I've been a happy camper ever since. Sublime performances throughout. I actually prefer Karajan's earlier Strauss recordings to his digital remakes with the exception of Eine Alpensinfonie, which, unfortunately, he never recorded during the analog era.Strauss: Tod und Verklarung, Vier letzte Lieder
Gundula Janowitz
Berliner Philharmoniker, Herbert von Karajan
I recently bought Karajan's complete DG analog Strauss recordings, which has all of his analog Strauss recordings plus the digital Alpensinfonie, a live Rosenkavalier from 1960, and a couple of early 40s recordings with the Concertgebouw. The main reason I got it was to listen to the Blu-Ray, since I've read that Karajan's recordings always sound much better in the Blu-Ray remasterings. I'm happy to report that the remastering for all of the works on the Blu-Ray are incredible, so I'm glad I got this set instead of buying the individual CDs. For the music on this disc, both of these recordings are classics. I actually prefer Karajan's analog Tod to his digital one because I like the more expansive tempos (especially the last 7 mins) and the more immersive sound in the analog version.
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Yeah, I actually own these recordings twice as I bought the Mercury Living Presence box sets when they came out. Yep, Doráti is quite good in Bartók, indeed. We're in no shortage of great Bartók performances on record, though. We also all have our favorites. I'm still rather partial to Boulez, Solti and Iván Fischer when it comes to the orchestral music.A fine set - it includes a fine violin concerto (Menuhin's best of ... three?) and I really like the atmosphere of Dorati's Concerto for Orchestra. Of course, we have had a lot of fine Bartok since Dorati recorded these but many of these accounts belong among the best of the past for me.
Yeah, Kocsis is great, but so was Ormandy, Szell, Reiner et. al. It's too bad Kocsis couldn't finish his orchestral series on Hungaroton. Speaking of Hungaroton, there are many fine conductors who graced their label who have conducted Bartók. They're quite well-represented in this marvelous set:Oh don't get me wrong. I've nothing against Boulez, Solti and Fischer in Bartok. I think I probably prefer Dorati to Solti but they are different and I like variety. As for Fischer ... he is special but Kocsis trumps him as his game, I think: his Bartok recordings are astounding.
Perhaps you're not getting how highly I rate all of the aforementioned conductors in my previous posts.Maybe you are not getting how highly I regard Kocsis. Of course, there are many fine Bartok recordings that came out over the decades on Hungaroton and the big three US conductors of the 50s and 60s made some fine Bartok records. I agree. But for me Kocsis achieved something altogether and uniquely wonderful with the Bartok recordings he made (including as a pianist). I like that so many of our greats have made great Bartok recordings and it seems mean spirited to compare them. But still ....
Oh, don't get me wrong, Kocsis' recordings are excellent, but I just can't shake the performances that I cut my teeth on like Boulez or Solti. For me, these two conductors got me to love the music more than I had previously. So, for these reasons, they have a special place in my heart that takes precedence over others that came before and after them.I didn't think of it as arguing and I must have missed it if you said that you prefer many to Kocsis in Bartok. But we both agree that all conductors named are great and have given me a lot of pleasure. With works like these I need several recordings (as do you, clearly) and all of them have to have something special to offer. Where we disagree is on Kocsis - something that I had not been expecting!
Have you heard the new Hilary Hahn recording of the Ginastera Violin Concerto? As much as I liked Accardo's performance, compared to Hahn, he doesn't sound as convincing to me. Add in stunning DG sonics to Hahn and you have a win/win all-around.Alberto Ginastera
Violin Concerto
Salvatore Accardo
Hopkins Center Orchestra
Mario di Bonaventura
Rec. 1968 Live
Dynamic
Absolutely stunning!
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I own this box set as well, but I also own the most of the individual releases that came out on Nonesuch. All of the opera releases had libretti, it's a shame this box set does not (my set is still sealed).John Adams, Nixon in China, from Collected Works, released by Nonesuch last year. I have only just started with the box set and was surprised and disappointed to realise that libretti are not included; it seems an incredible oversight. Are there any published (physically, if possible) libretti for Adams's operas?
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