I love this recording! Maybe a small chamber ensemble provides more color, but Lifschitz' arrangement for solo piano is stunning, even if parts must be very difficult to play.
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I saw him live once in a recital at UCLA. He would numerous times turn his head to the wall-side (rather than to the audience) while playing and stayed that way for a long while - the only musician with the strange behavior I've seen. It was off-putting to say the least. cutting off any unspoken communication with the audience which was almost none in the first place. I was thinking that if his attitude was like that why give recital after all? I went there with my music buddy who loved solo piano music that evening. He had a few of the pianist's recordings and felt excited when we were driving there. But he must have felt the same. He suggested we'd leave. So we left with the recital not even a third done. He might have been an accomplished pianist, but live he was a complete bore.He has told, that he uses "dubbing" in some of the pieces particularly in the trio sonata to overcome the technical difficulties.