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I love this recording! Maybe a small chamber ensemble provides more color, but Lifschitz' arrangement for solo piano is stunning, even if parts must be very difficult to play.
View attachment 181244
He has told, that he uses "dubbing" in some of the pieces particularly in the trio sonata to overcome the technical difficulties.
I saw him live once in a recital at UCLA. He would numerous times turn his head to the wall-side (rather than to the audience) while playing and stayed that way for a long while - the only musician with the strange behavior I've seen. It was off-putting to say the least. cutting off any unspoken communication with the audience which was almost none in the first place. I was thinking that if his attitude was like that why give recital after all? I went there with my music buddy who loved solo piano music that evening. He had a few of the pianist's recordings and felt excited when we were driving there. But he must have felt the same. He suggested we'd leave. So we left with the recital not even a third done. He might have been an accomplished pianist, but live he was a complete bore.
 

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The CD I have was a personal gift from the composer himself, flown all the way from Norway to So Cal. He expressed the concern about the balance between the organ and the orchestra, saying he felt the organ sound was a bit too prominent for his ideal based on his live performing experience. I told him in audio only without visual the organ might need a little boost, which seemed to have eased his mind. I think the engineer did a sensible balancing job.
 

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Frank Tveor Nordensten: Symphony #2 (3rd movement is titled 'Oblivion')
Christian Eggen conducts Oslo PO (Einar Henning Smebye on piano)
on CD-R

This was also a present from the composer, sent online in a file which I burnt on CD-R. It is his early composition (mid 20s ?) and quite ambitious in concept, scale and length, lasting over 55 minutes. I like it more than a little.
 

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my favorite version

I saw Jones live once. During the 1984 L A Olympics, the Covent Garden Opera sent their troops with Colin Davis, performing Peter Grimes, Magic Flute and Turandot. Ms. Jones sang Turandot opposite Domingo. I've never heard a voice so large before or after. Even in the thick of the full orchestra going, her voice had no problem cutting through and many times the walls of Dorothy Chandler Pavilion shook when she went full throttle. It was almost scary! I remember during the 2nd act duet (more like a Turandot aria and at the end Calaf joins in a yelling contest) when she raised her voice it seemed someone suddenly muted Domingo's voice. I saw his mouth opened and he was straining but I heard nothing from him, completely drowned by Jones' voice.
 
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