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Current Listening Vol IX [2023]

366490 Views 18895 Replies 168 Participants Last post by  sAmUiLc
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Here we go again. In the past, this popular thread had to be re-started a number of times because the files got to big for the software used. The latest restart was with volume VIII, which accidentally practically coincided with the start of the new year 2022. Many members thought this was actually a good idea to pick a new year for a new thread, so with 2023 upon us (already or soon, depending on where you live), we are starting a new thread.

Links to previous Current Listening threads:
Current Listening Vol I
Current Listening Vol II
Current Listening Vol III
Current Listening Vol IV
Current Listening Vol V
Current Listening Vol VI
Current Listening Vol VII
Current Listening Vol VIII


A few suggestions (as if anyone bothers reading this):

Many members appreciate if you would not just post a CD cover or an embedded YouTube link. It would be helpful if you would post at least a short description (like composer, work, performers). This holds especially for videos, because not all YouTube videos can be seen in every country, and they tend to disappear over time.

It would be even better if you can post a little bit about your own take on what you are listening to. No need for extensive reviews, but a few lines would make the thread clearly more valuable to other members.

These are suggestions, not rules. They are not subject to intervention by the moderating team. :)

Have fun, Happy New Year, and enjoy listening to classical music as always!
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This album of Bazzini violin music has been unattended for sometime and I revisit it now. The music is relatively short in length and feels like encore pieces
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OK, here is my second and final installment on the classic French wind sound circa 1850 to 1970. This LP was another issue of the joint venture begun in 1948 between French music publisher Éditions De L'Oiseau-Lyre and British record label London / Decca. Unlike the first one I discussed, the Brahms clarinet sonatas played by Jacques Lancelot, clarinet and Annie D'Arco, piano, I know of no CD reissue. Alas. Anyone who knows of one, please speak up. But you can't get more French than the French Wind Quintet with Jean-Pierre Rampal, Pierre Pierlot, Jacques Lancelot, Gilbert Coursier and Paul Hongne playing French mid-century modern neoclassical woodwind quintets. The highlight is Jacques Ibert's delightfully witty Three Short Pieces. What can I say, tout va bien, et je souhaite une bonne et saine année à tous.
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Vierne Organ Symphony No.2. Suitable for the stormy weather today.
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An unfamiliar piece: Jean Philippe Rameau’s piano suite (Suite en Sol) played by Alexandre Tharaud
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István Kertész conducts Dvořák
  • Symphony No. 5 In F Major
  • Overture "My Home"
The London Symphony Orchestra
London 1967

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Just arrived. Really looking forward to this on viny.

Hilary Hahn - Eclipse
  • Dvořák - Violin Concerto In A Minor Op. 53
  • Pablo de Sarasate - Carmen Fantasy Op. 25
  • Ginastera - Violin Concerto Op. 30
Frankfurt Radio Symphony conducted by Andrés Orozco-Estrada
Deutsche Grammophon 2 LP gatefold, 2022



As much as I love the Dvořák, the Ginastera steals the show for me, especially under Hahn's bow.
As much as I love the Dvořák, the Ginastera steals the show, for me, especially under Hahn's bow.
I absolutely agree. In addition, the Carmen Fantasy is delightful.
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Listening to Elgar's 1st for the first time....and so far it's not doing much for me. It's pleasant, but nothing has really grabbed me. I know it is held in very high regard, so I will give it a few listens.

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Martinů Symphony Nos. 2, 3, 4, 5, & 6 ORF Vienna Radio Symphony/Meister

After sampling No 1 last night, I binged the rest of this set this evening. All of these symphonies are new to me, and now I'm very eager to listen to other interpretations as suggested above.

Count me as a new fan of Martinů.
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Listening to this CD which I just bought - English pastoral music. (I notice that on 22JAN2019 Joe B posted this CD as his current listening.) It was a pricey purchase - about USD 23 - but I really wanted to add it to my collection, especially the George Butterworth pieces. I recently heard a couple of pieces by Butterworth on my classical music radio station which I enjoyed very much, so I decided it was time to get more into this composer. I have been into Vaughan-Williams, Holst, Delius, Finzi, and Walton already for a long time. Other factors: I want to explore William Boughton and the English String Orchestra, and I tend to like the recorded sound from Nimbus Records. I also like the fact that I was living in England when these recordings were made - little did I know at the time, but it was during my two years in England that I got hooked on English pastoral music.

This CD has been reviewed in some detail on Amazon. As noted there, the version of Butterworth's A Shropshire Lad on this disc is instrumental with no vocal parts. That is OK with me; I plan to listen my way through some future CDs of vocal music in this same vein. I absolutely love all of the Butterworth pieces, and am delighted to listen carefully to the works by Parry and Bridge, which are entirely new to me and very appealing. Vernon Handley is my go-to conductor for English pastoral music, but I find Boughton's and the ESO's work here superb. I think this CD will be my gateway into much more of Boughton and the ESO.

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Listening to Elgar's 1st for the first time....and so far it's not doing much for me. It's pleasant, but nothing has really grabbed me. I know it is held in very high regard, so I will give it a few listens.

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Well, the first problem is you're listening to Barenboim. He's a good conductor, but I never cared for his Elgar. Try Barbirolli or Solti.
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Now playing this entire recording, which happens to be a new acquisition:



I'm still on the fence about a tenor in Les Nuits d'été as I generally prefer a mezzo-soprano or, in the case of Véronique Gens, a soprano, but this is well-done I must say. I haven't got to Harold en Italie yet, but I imagine it going rather well. John Nelson is, of course, a Berlioz specialist and has made many notable recordings of this composer's music over the years. I still need to get around to listening to his recording of what may very well be Berlioz's greatest achievement, Les Troyens.
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Szell conducts :
  • Tchaikovsky - Capriccio Italien, Op. 45
  • Borodin - Polovetsian Dances From "Prince Igor"
  • Rimsky-Korsakov - Capriccio Espagnol, Op. 34
  • Mussorgsky - Dawn On The Moskva River From "Khovantchina" (Prelude To Act 1)
The Cleveland Orchestra.
Columbia Odyssey reissue 1970’s, originally 1958

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Well, the first problem is you're listening to Barenboim. He's a good conductor, but I never cared for his Elgar. Try Barbirolli or Solti.
listening to this now
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listening to this now
I really hope you enjoy it. Under the right baton, Elgar is an exciting composer and has a style that is completely his own.
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I really hope you enjoy it. Under the right baton, Elgar is an exciting composer and has a style that is completely his own.
This Barbirolli does seem much more alive and emotive than the Barenboim.
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This Barbirolli does seem much more alive and emotive than the Barenboim.
Wait until you hear Elgar's 2nd symphony. As much as I like the 1st, the 2nd took me aback the first time I heard it --- the Larghetto movement continues to have a profound effect on me.
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Wait until you hear Elgar's 2nd symphony. As much as I like the 1st, the 2nd took me aback the first time I heard it --- the Larghetto movement continues to have a profound effect on me.
Well, I am definitely enjoying this 1st now, under Barbirolli's directing.

Am I completely wrong in saying that there seems to be some similarities in style between Buckner and Elgar? I love Bruckner.
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