You're welcome 😊
You're welcome 😊@Forster...my first thankyou, thankyou. We need one for "your welcome."...![]()
Listening now. Certainly a bit more serious for him and a more adult form of darkness compared to his more playful macabre he does for Burton, but still full of imagination!
And as of right now, is he still your favorite composer?Listening now. Certainly a bit more serious for him and a more adult form of darkness compared to his more playful macabre he does for Burton, but still full of imagination!
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It´s on today playlist to refresh my memory .Listening now. Certainly a bit more serious for him and a more adult form of darkness compared to his more playful macabre he does for Burton, but still full of imagination!
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Because as you well know, it has been conclusively shown that film music is a sub-style/genre/category of classical music.Why is this in the Classical Music Discussion forum?
One could ask, why is this in the Danny Elfman thread? As far as I know, no one forced you to read a thread you knew you wouldn't be interested in.Why is this in the Classical Music Discussion forum?
And ask why this too...ad nauseamOne could ask, why is this in the Danny Elfman thread?
One might ask that if one were not too bright. Obviously, I was curious about what Elfman might have to do with classical music, because it never occurred to me that he had anything to do with it.One could ask, why is this in the Danny Elfman thread? As far as I know, no one forced you to read a thread you knew you wouldn't be interested in.
Does he at least personally orchestrate his concertos?Elfman has orchestrators for his scores just like most film composers do. I believe from talking to some players who have worked with him, that he doesn't write and orchestrate in the professional sense. Rather he works within the DAW as all do and passes on the music (midi) to be scored. At least on one recording session, I was told he had a keyboard in the control room and if there was a moment in the score he wasn't happy with, he'd find the notes on the keyboard and tell the team of orchestrators and copyists sitting with him to edit the score...all during the live recording session.
His approach to writing has created some memorable scoring moments for sure. The celesta and female choir in 'Scissorhands' became for a long time, the default brief for Xmas music from advertising companies. I particularly like the main theme to 'Mars Attacks' with its infectious foot-tapping rhythm, quirky vocals and musical nods to the 1950's.
Danny Elfman also writes concertos.Because as you well know, it has been conclusively shown that film music is a sub-style/genre/category of classical music.![]()
You don't decide who belongs to the classical music world and who doesn't. He composes classical music. The fact that you don't like his music doesn't make it something different.One might ask that if one were not too bright. Obviously, I was curious about what Elfman might have to do with classical music, because it never occurred to me that he had anything to do with it.
You need to follow your own advice.You don't decide who belongs to the classical music world and who doesn't.
I'm not the one who thinks that he can arbitrarily decide that someone who composes classical music doesn't belong to the world of classical music. If someone is able to provide a better descriptor than "classical music" for the violin concerto of Danny Elfman, I'll wait for.You need to follow your own advice.
Is this a fact? Please show where EdwardBast has said that he doesn't like Danny Elfman's music.The fact that you don't like his music [...]
Do you pretend to not understand the psychology of many people inside the classical music world?Is this a fact? Please show where EdwardBast has said that he doesn't like Danny Elfman's music.
I don't pretend anything. My reading of the OP led me to conclude that this discussion is supposed to be about Elfman's film music. The OP can't come back and clarify, but he said:Do you pretend to not understand the psychology of many people inside the classical music world?