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What are your impressions? I think it's a great platform for presentation and discussion of classical music. However, a lot of it seems self-serving as Hurwitz promotes himself and his personal biases and heavily polices the comments, which is a shame because there are a lot of knowledgeable people out there with a lot to add.
This is a pretty fun topic:
Off my head, my list would include:
1. Mahler, Symphony No. 7 (my personal favorite, though I know it is controversial)
2. Beethoven, Eroica (1959 stereo EMI)
3. R. Strauss, Metamorphosen (EMI)
4. Bach, Mass in B minor (EMI)
5. Mozart, Symphony No. 40 (1956 EMI)
6. Beethoven, Pastoral (studio EMI)
7. Mahler, Symphony No. 2 (live 1965 EMI)
8. Beethoven, Fidelio (EMI studio)
9. Brahms, Symphony No. 2 (studio EMI)
10. Beethoven, Symphony No. 9 (1961 live Testament, slightly over 1957 live Testament)
Four more:
Bruckner, Symphony No. 6 (studio EMI)
Mahler, Symphony No. 9 (studio EMI)
Mahler, Das Lied von der Erde (studio EMI)
Bruckner, Symphony No. 4 (live Munich EMI)
Celebrated recordings that don't crack my list:
Bach, St Matthew Passion (not enough drama and momentum)
Brahms, Ein Deutsches Requiem (not flexible enough)
Mozart, Die Zauberflote (great singing, but a little heavy for this work)
.
This is a pretty fun topic:
Off my head, my list would include:
1. Mahler, Symphony No. 7 (my personal favorite, though I know it is controversial)
2. Beethoven, Eroica (1959 stereo EMI)
3. R. Strauss, Metamorphosen (EMI)
4. Bach, Mass in B minor (EMI)
5. Mozart, Symphony No. 40 (1956 EMI)
6. Beethoven, Pastoral (studio EMI)
7. Mahler, Symphony No. 2 (live 1965 EMI)
8. Beethoven, Fidelio (EMI studio)
9. Brahms, Symphony No. 2 (studio EMI)
10. Beethoven, Symphony No. 9 (1961 live Testament, slightly over 1957 live Testament)
Four more:
Bruckner, Symphony No. 6 (studio EMI)
Mahler, Symphony No. 9 (studio EMI)
Mahler, Das Lied von der Erde (studio EMI)
Bruckner, Symphony No. 4 (live Munich EMI)
Celebrated recordings that don't crack my list:
Bach, St Matthew Passion (not enough drama and momentum)
Brahms, Ein Deutsches Requiem (not flexible enough)
Mozart, Die Zauberflote (great singing, but a little heavy for this work)
.