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Electroacoustic Music Listening Group Selection Thread

1227 Views 30 Replies 14 Participants Last post by  maladie
Dear Talk Classical,

Ok, I think I will launch a new thread, for the discussion of electroacoustic art music of the 20th and 21st centuries. This thread here is to assemble a list of weekly listening suggestions to focus the discussion, as TC has done with string quartets, music from 1980-2000, etc.

Here are the ground rules. In general, these are not up for debate.

1. The selection must contain an electroacoustic source as a significant component of the composition. "Electroacoustic" means something requiring electricity as a means of sound production. This includes analogue (tape) or digital media playback, or electronic instruments such as a theremin or digital keyboard.

2. The selection must be firmly in the "art music" tradition. No electronica. No EDM. No popular music genres or sub-genres. No ambient music. Tangerine Dream, Kraftwerk, etc., are out.

3. The selection may include electroacoustic sources combined or blended with purely acoustic instruments or voices, e.g. instrument(s) or voice(s) with fixed media playback, or altered via live signal processing.

4. The selection may be exclusively electroacoustic, e.g. musique concrète, a "tape piece," or computer music.

5. The selection must be readily available for quality listening via Internet streaming or commercial physical media.

6. The person making the selection should be prepared to introduce the piece for the week and lead the discussion.

Ok, let's hear your suggestions! When we have enough (say, at least ten) contributions within say a week, I'll launch the listening discussion thread.

Thanks for participating!

Your pal,

Knorf
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My selection is Ensembles for Synthesizer by Babbitt (1964)
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I'm in.

I'd like to nominate Luigi Nono's La lontananza nostalgica utopica futura.
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Now this will be fun. I will need a day or so to come up with a choice.

Question: does "fixed media playback" include visual media? In other words, do works with a video component count?

If yes, can said media itself be altered live?

Just thinking of my options.
Including video is fine.
Is there anything we can do about accessibility? Or should we limit the discussion to pieces on YouTube. Can we upload music?

When you say “art music” - does this include music with lots of improvisation?
This is splendid. I'd like to participate, and to nominate Nadir by Christos Hatzis.
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When you say "art music" - does this include music with lots of improvisation?
If it's jazz I would prefer to not include it. Otherwise I don't see a problem.
If it's jazz I would prefer to not include it. Otherwise I don't see a problem.
I was thinking of the Evan Parker Electroacoustic Ensemble, that sort of thing.
I nominate "Epitaffio" for orchestra and magnetic tape by Arne Nordheim :)
I will pick something in the next few days. I'd like to pick a work that's fairly new and one that I don't know so that I can maximize my exploration into this genre. Right now I'm looking at composers Natasha Barrett, Paula Matthusen, Fausto Romitelli.

I admit that I am a newbie in this genre so there's that.
I nominate "Epitaffio" for orchestra and magnetic tape by Arne Nordheim :)
Damn! That was the piece I was going to nominate! :lol:

I nominate «Solitaire». Also by Arne Nordheim.
I was thinking of the Evan Parker Electroacoustic Ensemble, that sort of thing.
I think of Evan Parker as jazz based. I don't dislike jazz, in fact I like it a lot, but that goes down a very different path.
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Then I choose Richard Barrett's Anaphase from Life Form.
Can I have Black Sabbath?
Merl, that's a yellow card. You're in the book.
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Then I choose Richard Barrett's Anaphase from Life Form.
I liked this. An interesting little piece.
My choice is:

Enno Poppe: Rundfunk for nine synthesizers (2015-2018)

Like a lot of Poppe's music -- but especially this one -- this piece is a complete and total acid trip. You're gonna either love it or hate it.

I was considering Simon Steen-Andersen's Run Time Error, a site-specific video installation performance, but decided it was too short.
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I’ll pick Natasha Barrett: Reality and Secrets no. 2 (18’00). Acousmatic hybrid higher-order ambisonics. (2010)
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My favorite pieces of this kind are ones that I imprinted from, off early LPs. This would include Henri Pousseur's Trois Visages de Liege, Milton Babbitt's Philomel and Ensembles for Synthesizer, John Cage's Fontana Mix, Karlheinz Stockhausen's Song of the Youths, and Luciano Berio's Differences.

I think that the discussion should initially focus on "classic" works of the genre.
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