Leanora number three was played traditionally in opera houses to give time for the scene change between the dungeon scene and the finale which is set in the courtyard. Bernstein actually weaves it into the end of the duet. Works fine to me.
Fidelio and the pesky Leonore #3 Overture!
I read that Beethoven had intended for the finale of Fidelio to start within 7 seconds of the last note of the Leonore and Florestan duet. A practice was begun to insert the Leonore #3 overture in between these two parts to accommodate the scene change (from dungeon to prison parade grounds). This I could understand in live performances, yet there are ways to cleverly make that scene change happen fast as in the DVD with Nylund and Kaufmann by having a curtain lift in the back of the dungeon scene exposing the new scene for the finale.
At any rate, I remove the Leonore #3 overture from all my folders before playing them on my MP3 player or burning discs for the car. I would remove the overture from the DVDs but it is probably not easy to do, so instead simply skip over the overture.
Oops: Third option should be Leonore #3, not #4.
At any rate, I remove the Leonore #3 overture from all my folders before playing them on my MP3 player or burning discs for the car. I would remove the overture from the DVDs but it is probably not easy to do, so instead simply skip over the overture.
Oops: Third option should be Leonore #3, not #4.
1 - 1 of 10 Posts
1 - 1 of 10 Posts
- This is an older thread, you may not receive a response, and could be reviving an old thread. Please consider creating a new thread.
Classical Music Forum
A forum community dedicated to classical music musicians and enthusiasts. Come join the discussion about arrangements, collections, techniques, instruments, styles, reviews, classifieds, and more!
Full Forum Listing
Top Contributors this Month
View All
Art Rock
456 Replies
Seattleoperafan
434 Replies
PHOENIXFIRERAPTOR
378 Replies
Recommended Communities
