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For the Cminor pentatonic 2 octaves RH, try 1,2,3, 1 (on G),2,3,4 (on eflat), 1,2,3, 4(or5) on top C and the same corresponding fingers to notes on the way down for the RH.
For the LH use 5,3,2,1,4 (on Bflat), 3,2,1, 3( on G), 2,1. Heading down use 1,2,3, 1 (on F),2.3.4 (on Bflat),1,2,3,5.

For A minor pentatonic 2 octaves, I found this worked for my RH - 1,2,3,4, 1 (on G),2,4,1 (on D),2,4 ,5. Heading back down, I used 5 (on A),4,2,1 (on D),4 (on C),2,1, 4 (on E),3,2,1.
For the LH, I tried 4,2,1, 4 (on E),2,1,4 (on C),3,2,1,2 (on top A). Heading back down - (2), 1,2,3,4 (on C),1,2,4,1 (on D),2,4.
An alternative for the A minor pentatonic LH ...
Ascending...1,2,3,4,5,4,2,1,4,2,1. And descending..1,2,4,1,2,4,1,2,3,4,5.
 

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Yes, my suggestions where for two octaves and I can see what you mean over 4octaves. But with slight adjustments they can be adapted over 4 octaves quite easily, adopting a 2octave span type fingering.

Your fingering for the Amin pentatonic does not seem optimal to me, it feels awkward and over stretched by not using the 4th finger, thereby creating more thumb shifts and perhaps ultimately not being able to play as fast as you might like. It's a matter of preference, but I do think you should incorporate the 4th finger for the best results.

For the C minor pentatonic over 4 octaves try this
RH..1.2.3.1.2.3.4.1.2.3.....1.2.3.1.2.3.4.1.2.3.......5.3.2.1.4.3.2.1.3.2.1.4.2.1.4.3.2.1.3.2.1
This does change slightly on the way down but can be played fairly rapidly and is shape based.
For the LH...
5.3.2.1.4.3.2.1.3.2.1.3.2.1.4.3.2.1.3.2............1.2.3.1.2.3.4.1.2.3.1.2.3.1.2.3.4.1.2.3.5

For A min try this shape based approach that maintains a good hand position and fewer thumb shifts, but might prove trickier.
RH....1.2.3.4...1.2.4...1.2.4....1.2.3.4......1.2.4.....1.2.4.5....and down....5.4.2.1.4.2.1..4.3.2.1....4.2.1....4.2.1....4.3.2.1.
 
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