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Discussion Starter · #1 ·
Looking for advice from Mahler lovers in this forum.

Does somebody who already owns Karajan's 1980 studio Mahler 9 with the BPO--the one currently available coupled with Christa Ludwig's Kindertotenlieder--have any reason (other than obsessiveness) to make room in his collection for Karajan's live Mahler 9 from the same year?

I've heard the live recording described as legendary, but am not sure whether I need two interpretations by the same forces from the same year.

Studio World Font Sculpture Art Building


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Discussion Starter · #7 ·
Thanks for the replies. So I think I'll pass on the 82 live HvK recording. One of these days I'll get around to the Bernstein: RCO, but for now I will satisfy myself with his NYPhil and BPO recordings, both favorites of mine.
 
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