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She and her husband were also among the earliest of early music enthusiasts. In 1861 they published a collection in twenty volumes named “Le Trésor des Pianistes” in the hope of reviving the harpsichord and virginal repertory of the 17th and 18th centuries. In addition to her work as editor and publisher, Louise also brought this music alive by giving a series of séances historiques, in which she and her students performed the works of Rameau, Purcell, Muffat, Kuhnau, Frescobaldi, Froberger, and other neglected composers.
 
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