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I bought an inexpensive 10 cd set of Bach choral works from EMI France many years ago - it has A St Matthew Passion with soloists including Theo Altmeyer, Nicolai Gedda, Hermann Prey with the Consortium Classicum conducted by Wolfgang Gonnenwein.
Truth be told I have never listened to it as I was after other recordings in the set, until this morning - my question is simply: does anyone know this recording and if they do what are their thoughts on it.
Thanks.
 

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You're misreading it. It's an urgent call. 'Come ye daughters.....'
Well, the full sentence is Come ye daughters and help me lament. They're not going to the disco; they're watching a man carrying his cross to be brutally killed. I mean, I think that's what Klemperer wants to bring out of it; it reflects the slow, halting steps of Christ carrying his cross and their realization that he is doing it for them ("Behold our guilt").

Of course, technically, I think Klemperer is taking it slower than Bach intended, but he wants to turn a sarabande into a death march.
 

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I'm going through the romantic box set this weekend. I've never heard anybody do Dvorak's 9th like Klemperer. I guess you could call it the New World with old world sensibilities. But I enjoyed the beauty and elegance of it even though ol' Klempy couldn't really give it the New world vibe.
 
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Discussion Starter · #72 ·
After listening to the Tchaikovsky No.4 in the context of my symphony challenge, I'm thinking of waiting for Warner to release a complete set with all the recordings remastered, including the Beethoven cycle and buy it one Christmas. It's kind of the same with Celibidache, but this Tchaikovsky No.4 was completely the opposite to what most conductors (still don't know about the Russians) seem to do. It's a unique merciless aproach, no sharp edges or spectacular string and brass codas (like Karajan does, in the best way). With him, and his conducting, plus the touch of the orchestra, it's like the No.4 is not a "common" or "vulgar" piece of music anymore.



I've heard a little of the No.5 just for pleasure and the woodwinds sounded a bit odd... I'll soon rate it in context.
 
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