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The thread on Bach's national styles got me thinking about this.
To what extent do different national characters persist over time in music? Sometimes I imagine that I hear a very long persistence indeed - over many centuries, through many apparently different styles - but I may be projecting (or just repeating tired national stereotypes).
Thoughts? I tried to put together some examples of what I mean.
German (inward-looking, mystic)
Italian (passionate, extroverted)
French (sensual, restrained)
To what extent do different national characters persist over time in music? Sometimes I imagine that I hear a very long persistence indeed - over many centuries, through many apparently different styles - but I may be projecting (or just repeating tired national stereotypes).
Thoughts? I tried to put together some examples of what I mean.
German (inward-looking, mystic)
Italian (passionate, extroverted)
French (sensual, restrained)