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From what I've read, Rubinstein was a humble man and pianist. He got along with the conductor and fellow chamber musicians. Perhaps the expected level of ego aside, he was certainly no Celibidache. Dour? Rubinstein photographs would indicate otherwise. Noble? Perhaps. Then again, the Polish folk look noble. As far as I know, Rubinstein didn't take acid. But, hey, that's a fan's take on the Master.Chin but I don't like it when a fan is used to blow hair away like that.
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Okay, I have concluded on a sour note this morning.
So a double portrait of Charlotte Bray:
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and
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a rare smile in today's composition world. Most of them want to look as dour as Rubinstein on acid (not a reference to chemicals with low pH).
The OCD in me is wanting to reach in and straighten those pictures.![]()
A very dapper Albéric Magnard, Guy Ropartz (seated), and Eugène Ysaÿe.
I asked the same question some time back and then I saw this one of Paganini which, if genuine, must have been taken early in 1840 or before. I'm pretty sure I read somewhere there is doubt over its authenticity.Noted on another forum: Liszt in 1843. Is there any earlier photo of a major composer?
That look on his face and watch the finger pointing.This one of Wagner looks a bit disturbing to me, not sure why.
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