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For someone new to Norma start with one of these stereo versions featuring two of the greatest sopranos of the stereo era:
-Sutherland
-Caballe

This is the early 1964 Sutherland release (not the later one with Pavoratti) when she had clear voice and staggering vocal range, strong support from young Maryln Horne, the very best version for many. The 1960s Caballe has extremely strong supporting cast, a balanced beautiful presentation but not the most dramatic......perhaps I am just under a Callas spell and her technique has forever biased me. I give a slight edge to the 1964 Sutherland
Once you have your feet wet you go for the supreme Norma of the last 60 years Maria Callas.

The early mono version (black) has Maria in full command of awe inspiring full range bel canto technique, unmatched power and dramatic impact. The later stereo (blue) in very popular because of much stronger supporting cast in Corelli and Ludwig, but Maria's vocals are in decline here, very insightful nuanced performance that still eclipses her rivals
Then if/when you are ready for the ultimate Norma you get the live 1955 Divina label performance (expensive), how do you top studio Callas......live of course, includes a staggering collection of bonus rare high quality 120+ photos on CD documenting this Norma production and backstage activities. For experienced hardcore Norma fans a gift from the opera gods......
-Sutherland
-Caballe


This is the early 1964 Sutherland release (not the later one with Pavoratti) when she had clear voice and staggering vocal range, strong support from young Maryln Horne, the very best version for many. The 1960s Caballe has extremely strong supporting cast, a balanced beautiful presentation but not the most dramatic......perhaps I am just under a Callas spell and her technique has forever biased me. I give a slight edge to the 1964 Sutherland
Once you have your feet wet you go for the supreme Norma of the last 60 years Maria Callas.


The early mono version (black) has Maria in full command of awe inspiring full range bel canto technique, unmatched power and dramatic impact. The later stereo (blue) in very popular because of much stronger supporting cast in Corelli and Ludwig, but Maria's vocals are in decline here, very insightful nuanced performance that still eclipses her rivals
Then if/when you are ready for the ultimate Norma you get the live 1955 Divina label performance (expensive), how do you top studio Callas......live of course, includes a staggering collection of bonus rare high quality 120+ photos on CD documenting this Norma production and backstage activities. For experienced hardcore Norma fans a gift from the opera gods......
