8. The Saint-Sulpice scene where Massenet's Manon seduces the Chevalier-turned-priest.
"N'est-ce plus ma main, que cette main presse? N'est-ce plus ma voix?"
I know it wasn't there during the time of Louis XIV when the opera is set, but Massenet (along with his audience) was presumably familiar with Delacroix's mural of Jacob Wrestling with the Angel installed in one of the chapels at Saint-Sulpice. No doubt the temporal purists will scoff, but I find it a serendipitously fitting metaphor for Des Grieux's embattled conscience and like to imagine him gazing at it while singing "Ah, fuyez, douce image!"