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I guessed there'd be quite a few Wagner suggestions, so let me give a few Verdi ones.

The intro to Act I of Simon Boccangera leading to Amelia's Come in quest'ora bruna, which is a wonderful evocation of sunlight on the sea.

The mysterious intro to Lady Macbeth's Sleepwalking Scene

The wonderfully melancholic opening to Act IV scene i of Don Carlos which leads in to King Philip's Ella giammai m'amo
 

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Haydn, Mozart, Vivaldi, Wagner, Brahms, Schumann
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Siegfried passing thru the Magic Fire.
 
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Haydn, Mozart, Vivaldi, Wagner, Brahms, Schumann
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Descent and ascent from Nibelheim.
 

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So, smartest today, right? I considered the Merry Widows in Falstaff or Figaro, especially since he's clever in two great operas. But I guess I'll go with who I figure will probably be the top candidate in Iago, who really does put together a pretty complex plan (much more detailed than, "hey Count, dress up like a soldier to get in this house!"), and is quick to find ways to build on his plan when opportunity arises.
 

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4. I also vote for Verdi's Iago -- howlingfantods beat me to it.
 

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For smartest opera character, I'm going to go with Rodrigo from Don Carlo. He knows how to keep royals from going hysterical, knows how to flirt, knows how to deliver secret messages, and knows how to talk smack to a king.
Still gets himself killed though!
 
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