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For a while now, I have assumed that at some point I will vastly cut back on listening to so much new music and focus much more on listening to works/composers I have identified as exceptional (to me). I'm just don't know when I'll make that switch.
This is exactly what I've been thinking. In fact it's kinda like a new year resolution. I even started a list a couple of days ago of the works and composers that I consider core. The list got bigger and bigger and I accepted defeat.

I don't think I want to discover new works or composers. But it doesn't feel right for me to be thinking like that.
 
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I have the answer. If you get bored with Sibelius then put it on and dance.
Sibelius joke
In some colleges of music, part of the doctoral requirement is to compose an original full length symphony. Because modern music sounds so weird, a good ploy is to take a well-known classical symphony, write it backwards and submit it as an original work. One student took the daring step of taking his professor's doctoral symphony and reversing it. The student failed to receive his degree. The examiners remarked, "You just reproduced Sibelius' Fourth Symphony with not a single note changed!"
 

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Could there be something gained from a more limited but concentrated listening? Or is wide, numerous and expansive listening a value in itself, not worth questioning?
I've never had the problem you describe, and my interest in listening to music (any music) has not wained since I began. But, I've never listened solely to classical music, so maybe because I have a wide ranging curiosity for a variety of genres might mitigate any sense of boredom or fatigue. Since the advent of streaming services my monetary output for new music has plummeted, and I find myself expanding my listening dramatically.

I am also a big supporter of not questioning your listening habits.
 

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Surprisingly I've had that kinetic response with some chamber music by Faure -- specifically the A Major violin sonata and the C Minor piano quartet. To be sure these are early, energetic works. I say surprisingly because of course his Requiem and songs like 'Clair de lune' have a much different atmosphere
Yes, Faure gives us both. He's there with those extended moods. We just need to remember him (and Franck).

I've known Jeremy a long time.

...https://www.youtube.com/watch?v=C0GfR-GAs9Q
 

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I was into progressive rock in a big way years ago. I'd be interested to look into that forum. Can you give me the details?
I'm still way into prog rock after nearly 50 years of listening! In the past few years I've seen Yes, King Crimson and Steve Hackett (playing classic 70s Genesis). I'll go to my grave a prog-head.
 

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I'm still way into prog rock after nearly 50 years of listening! In the past few years I've seen Yes, King Crimson and Steve Hackett (playing classic 70s Genesis). I'll go to my grave a prog-head.
Yes was my favourite prog band and I saw them countless times in the 1970s. I gave up after the 1980 concert at the Hammersmith Odeon in London. A good gig and a good album (Drama) but by then I'd gone as far as I wanted with them. Can't stand the later stuff. I still listen to CTTE and TFTO fairly often and Relayer will never fade. Still have a soft spot for GFTO. Heart Of The Sunrise from Fragile is a desert island track for me.....

I don't consider King Crimson a prog band, but they are one of my all time favourites, especially LTIA & ITCOTCK.
 
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Yes was my favourite prog band and I saw them countless times in the 1970s. I gave up after the 1980 concert at the Hammersmith Odeon in London. A good gig and a good album (Drama) but by then I'd gone as far as I wanted with them. Can't stand the later stuff. I still listen to CTTE and TFTO fairly often and Relayer will never fade. Still have a soft spot for GFTO. Heart Of The Sunrise from Fragile is a desert island track for me.....

I don't consider King Crimson a prog band, but they are one of my all time favourites, especially LTIA & ITCOTCK.
I'm a member here: Forums - Yesfans

It's a new version of the old Yesfans, which was closed by the owner, taking all the posts over 10 years with it.

A former member made a "NewYesfans" website, and many folks signed up. The former owner of the old Yesfans, after the new site actually got some wings, allowed the old name to be transferred.
 

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For the past five years or so, and even more when Covid hit, I have structured my listening habits. For classical, I've been going though all my CD's one by one, mostly in alphabetical order per composer (maximum one CD per composer per day to keep things varied), at the same time making a catalog of what I have to avoid duplications (as happened in the past). Currently at V and W. This automatically generates variation (yesterday I played CD's by Vasks, Vladigerov, Wagenseil and Siegfried Wagner). Also, since almost a year I have the habit to start the day with a string quartets CD (from the classical period to contemporary).

On the pop/rock side, I did not do the same, because I have too many CD's I bought (cheaply) for a few songs to put on our car MP3 USB stick. I did start a different project when the corona shutdown hit, one that had been on my mind for decades: make a list of my favourite pop/rock albums (the one I would rate 'essential'). I narrowed it down to about 1000 candidates and replayed them over the years, resulting in over 500 getting the stamp of approval. Over the past year, I have been reevaluating a few I initially rejected as "very good but not essential" and added a few more to the list. Also (work in progress) I have been going through the discography of a dozen or so acts that were recommended either at TC or on other sites, and that yielded another dozen or so essential ones (with maybe more coming). The number of albums on my list is now 592, and I'll probably hit 600 by year end.

Aside from the variety that these projects generate, it also helps me focus and play more music, because I want to get them finished.
 

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I'm a member here: Forums - Yesfans

It's a new version of the old Yesfans, which was closed by the owner, taking all the posts over 10 years with it.

A former member made a "NewYesfans" website, and many folks signed up. The former owner of the old Yesfans, after the new site actually got some wings, allowed the old name to be transferred.
Many thanks

I've signed up - looks interesting......
 
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Sometimes life is so weird! I have been living in the classical world for some time now — after releasing my latest prog album. Today for the first time ever since I haven’t felt like listening to any classical. So I put on play one Siberian Khatru — and damn I am feeling it again! ☺

Nursery Crime playing…

Rotation is the key!!!
 

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I love variety. There was a time when my taste started with Bach and ended with Stravinsky and Bartok, and was mostly orchestral. But branching out both earlier and later and into chamber music seemed like a natural step. A little of it was planned - I thought a lot about how to really get deeply into renaissance music - but mostly it was just wanting to know what it was about music that others loved. It fascinates me how classical music from different periods can exhibit different facets (no - whole new vistas) of aesthetic enjoyment. I enjoy Bruckner and Boulez but I don't get the same things from them.

Some times I am very much in an exploring mood and sometimes less so. These days I often end up programming variety and contrast into my listening. I still love and listen to the big beasts of the Baroque, Classical, Romantic and Modernist eras and never seem to tire of the music of those who I consider absolutely great. I still listen to Beethoven's 5th and Mozart's 40th; I still love them. Like many of us here I really enjoy hearing different performances of familiar works (particularly those of Beethoven, Mahler and to some extent Mozart).
 

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Yes was my favourite prog band and I saw them countless times in the 1970s. I gave up after the 1980 concert at the Hammersmith Odeon in London. A good gig and a good album (Drama) but by then I'd gone as far as I wanted with them. Can't stand the later stuff. I still listen to CTTE and TFTO fairly often and Relayer will never fade. Still have a soft spot for GFTO. Heart Of The Sunrise from Fragile is a desert island track for me.....

I don't consider King Crimson a prog band, but they are one of my all time favourites, especially LTIA & ITCOTCK.
The Crimson fellas are all very skilled musicians, but their actual song-writing efforts have not been all that memorable. Pink Floyd eclipses them by a long shot.
 

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The Crimson fellas are all very skilled musicians, but their actual song-writing efforts have not been all that memorable. Pink Floyd eclipses them by a long shot.
KC rarely write traditional songs, they write pieces of music that sometimes feature vocals, and I find many of their efforts extremely memorable. In fact, one of the most memorable musical experiences I ever had was listening to In the Court of the Crimson King for the first time when I was ~15, and it's still rewarding every time I return to it even 20+ years later. Another memorable experience was listening to Steven Wilson's surround sound mix of Larks' Tongues in Aspic Part 1. When the heavy riff kicks in it felt like the sonic apocalypse had arrived in my living room. Pink Floyd are wonderful too, but they've never written anything that made me feel like that! Here's KC at their most Floyd-esque:
 

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KC rarely write traditional songs, they write pieces of music that sometimes feature vocals, and I find many of their efforts extremely memorable. In fact, one of the most memorable musical experiences I ever had was listening to In the Court of the Crimson King for the first time when I was ~15, and it's still rewarding every time I return to it even 20+ years later. Another memorable experience was listening to Steven Wilson's surround sound mix of Larks' Tongues in Aspic Part 1. When the heavy riff kicks in it felt like the sonic apocalypse had arrived in my living room. Pink Floyd are wonderful too, but they've never written anything that made me feel like that! Here's KC at their most Floyd-esque:
Discipline is one of their best albums, but I am not compelled to go back listen often. To each their own, as they say. :)
 

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Experience inevitably seems to make people jaded eventually to where they no longer get the same thrill out of whatever they were interested in. I'm someone who gets burned out very easily with anything I'm interested in, and that's why I've picked up such a variety of interests in my lifetime. Even when it comes to music I've switched between genres liberally: classical, jazz, pop, rock, metal, prog, folk, etc. Even if I narrow it to classical I've tried to explore all the major composers and era to a significant extent so I've never gotten stuck in one sound/style.

My recommendation for people anytime they speak of getting jaded/cynical with anything is to switch it up. So you say you're not thrilled with Sibelius because you listen to him and hear too much Mahler; well, why not listen to something completely different, like music from much earlier or much later? Come back to Sibelius when Mahler is less fresh/present in your mind. So much of our tastes are going to be governed by not just our general experience with music/art, but also by the temporality of our experience; meaning that listening to someone like Sibelius just after Mahler is likely going to produce a different effect than listening to him after, say, Josquin or Carter.

There is definitely some truth to the "ignorance is bliss" aphorism, as when you're new to something everything is new, fresh, even magical in its own way. People often wish they could go back and experience X art for the first time, as there's simply nothing as powerful as one's first experience, and that sentiment holds not just with individual works but even to entire mediums/genres. I think it's a rare person who can spend their entire lives immersed in one thing and not go through periods where that thing loses some of its magic; but the only way I've ever found to deal with that is simply take regular breaks from it and come back later.
What an excellent post! I have nothing to add to that.
 

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I have been wondering sometimes whether or not I got greater kicks from classical music when I concentrated more on fewer composers and works.

Those days even just one work, like the Sibelius 4th, could be life changing. Nowadays when I listen to it, I am not as thrilled by the dissonances because Mahler is full of such chord progressions. Just to give you one example. (I need to consciously change my mental state to get into the receptive Sibelius 4th mood.)

So it is harder and harder to gain the mental state of the ”innocent, open minded listener, tabula rasa.”

It is also harder to tune up for a certain composer. And composers require their own mindsets! You cannot listen to everything the same way.

In a way, greater ignorance was bliss!

Has anyone had similar experiences?

Could there be something gained from a more limited but concentrated listening? Or is wide, numerous and expansive listening a value in itself, not worth questioning?
I think there's much truth in what you say.

I've listened to classical on and off for forty years. I haven't been as rigorous a listener as some on this forum obviously are, but a turning point for me was when I came to the point of buying recordings then putting them aside and not listening to them for months (or even never listening to them). I realised that this risked making music into a burden. What solved the problem was only buying what I wanted to listen to straight away. Eventually I did a big cull of my collection (got rid of two thirds) which made me prioritise my listening further.

At times, with my focus on music bordering on the obsessive, I lost sight of that thing called life. Music is great, but its not a particularly social activity. Although I didn't plan it, that process of distilling what I wanted out of music allowed me the space to do other things.

Life also changes, compared to previous times these days I often don't have energy or inclination to listen to music. After a busy day, I'm often happy to rest without any canned music, just silence (or what amounts to it in reality). There's a calming aspect to simply doing things that need to be done, or even doing nothing, without any distraction.

Lessening the amount I listen to has had the advantage of being able to read more, which includes books on music. I'm getting into the habit of reading composer biographies and then listening to the music I have by them. Usually, it's limited to the handful of discs I have by a composer, and if needed I supplement that with youtube. It's allowed me to gain a deeper insight into the music I'm really interested in. Whenever I can, I contribute a review or survey including information I find interesting from these books on the relevant composer page on this forum.

The ideas of John Cage (who didn't own commercial recordings or a stereo system) and going further back, the stoics, have influenced me a bit. I do think that less can be more, and an individual can find some sort of a way out of all the FOMO around instant access to everything on the net. There are advantages to it of course, but the downside is a feeling of being overwhelmed and clogged up no matter how much you listen to. It makes sense to try and find your own way out of this, for one thing it's more balanced and sustainable on the long term.
 

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I have 3 levels/layers of listening. The first level is just exploring and getting a sense of a style or a particular composer. The 2nd level is I get into period of delving more of a certain period/style. The 3rd level is listening or relistening to music I have good familiarity with already and that I like a lot. I usually have a certain mix of the 3. I found that in appreciating what I don't like, makes me appreciate what I like even more.
 
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