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Top 5 Scandinavian Composers of all times

17K views 136 replies 39 participants last post by  Marschallin Blair  
#1 ·
Who are they?

Here are my favorites (in order of preference):

1. Rued Langgaard
2. Jean Sibelius
3. Alan Pettersson
4. Carl Nielsen
5. Edvard Grieg
 
#16 ·
4 and 6 are actually the ones I enjoyed the most. And maybe 5. I think 4-6 is probably his best chunk of work as far as the symphonies are concerned.

Most of the other ones seem really big and sprawling without much interesting material to justify it. That's just how I've been hearing them though.

And this is just a small subjective beef I have, but for some reason it bugged the hell out of me that he began the 7th and 13th symphonies in the exact same way! :mad:
 
#17 ·
1. Sibelius
2. Leifs
3. Saariaho
4. Roman
5. Berwald

Best regards, Dr
 
#35 · (Edited)
I suppose this here 'great' doesn't give the pleasure-of-hearing element much advantage over quantity. Or is there another reason for Crusell not being in the listings?
 
#40 ·
1)Sibelius
2)Nielsen
3)Berwald
4)Holmboe
5)Stenhammar

problem-this listing does not reflect how significant Sibelius is to me personally as he is my favourite composer fullstop!
Holboe is there as a result of a recent encounter with two of his impressive symphonies......
 
#59 ·
1. Grieg
2. Sibelius
3. Nielsen
4. Rautavaara
5. Per Nørgård (I was going to say Veljo Tormis... but he's Estonian)
 
#67 ·
I don't even know enough Scandinavian composers to really participate in this (the last three I've heard at maximum two pieces from), but...

1) Sibelius
2) Grieg
3) Crusell
4) Halvorsen
5) Englund
 
#79 ·
I don't even know enough Scandinavian composers to really participate in this (the last three I've heard at maximum two pieces from), but...

1) Sibelius
2) Grieg
3) Crusell
4) Halvorsen
5) Englund
Dag yo, I forgot about Halvorsen. I love his Scenes from Norwegian Fairytales, sort of a compliment to Peer Gynt.
 
#68 ·
Sibelius above all because of his developmental-organic technique, form and orchestration. The themes grow from small motifs seeded at the beginning and reach their maximum glory when the brass takes over and the tempo accelerates in the strings. Also, he seems to have taken more care in the writing of his symphonies than
the bombastic Langgaard.


There are various paths into Sibelius: from the first symphony, from the tone poems like En Saga (for Grieg fans?), from the fourth symphony (for Mahler fans) and Kullervo (for Langaard fans?), from the cantatas like Oma maa, from the string quartet Voces Intimae, from the Violin Concerto, from the various bagatelles for piano and for orchestra like Spring Song. Grieg had talent for the piano, strings and programmatic stuff, but for the symphony we'll never know (that early symphony doesn't count).
 
#72 · (Edited)
I can't do the top five (there's simply too much talent in that part of the world), but I'll list the top eleven or twelve (in no particular order):

Nielsen
Langgaard
Atterberg
Pettersson
Grieg
Sibelius
Merikanto (his opera "Juha" is a masterpiece!)
Rautavaara
Alfven
Berwald
Melartin
Stenhammar

Honorable mentions: Klami, Leevi Madetoja, Kallervo Tuukkanen, Gade, Toivo Kuula, Per Nørgård, Ludvig Irgens-Jensen.

Which reminds me that I probably should start the Estonian thread, for there are striking similarities between the music of Estonia and that of Scandinavia (Sweden, but especially Finland).