Mozart was a principal force in the development of the piano forte.
Mozart operas were revolutionary in their dramatic integration of plot, character, character development, and music.
I even think the violin-viola riffing in the Concerto Consonants prefigured jazz. The same dynamic is at work in Batti batti, o bel Masetto between the soprano and the cello (it could be described as intercourse) but only in performances by conductors like von Karajan who.understood such potentials.
Mozart was more than innovative; his work was revolutionary.
Mozart operas were revolutionary in their dramatic integration of plot, character, character development, and music.
I even think the violin-viola riffing in the Concerto Consonants prefigured jazz. The same dynamic is at work in Batti batti, o bel Masetto between the soprano and the cello (it could be described as intercourse) but only in performances by conductors like von Karajan who.understood such potentials.
Mozart was more than innovative; his work was revolutionary.