I did not listen to the video, but it looks like the actual playing is about 20 minutes, so that should be the complete piece.
I did not listen to the video, but it looks like the actual playing is about 20 minutes, so that should be the complete piece.Was the video link KH provided the entire piece? Just wondering based on some of the comments.
I had not noticed, but that is a bug in the system. I posted the link to the first movement with the other movements listed to the right (playlist) - the programme converted it to an embedded video without the additional info. Lesson learned: post next time as a link attached to a line of text.The other link with the Engegard is only the first movement which I didn't realize at first; however the remaining movements are also accessible via youtube playlist.
Yes! That's the one I listen to. Very enjoyable and timely.Nice choice! Alban Berg Quartet for me this am. On Teldec.
Wow, I never thought I'd read a reference to Iron Maiden in this thread!... but my favorite movement is the finale. There's a fusion of so much greatness in a fairly short span: imitative polyphony that's a harbinger of the finale to the 41st symphony, Mozart's talent for lyrical writing, and some Steve Harris-ish galloping rhythms....
Eddie would look great in a powdered wig.Wow, I never thought I'd read a reference to Iron Maiden in this thread!🎸
Ah, but what white powder would he use?Eddie would look great in a powdered wig.
I know boringly mainstream was in jest, but Mozart's simple pleasures are quite in contrast, and pleasurably so. I very much enjoy some very small moments in SQ14:My choice tomorrow will be "boringly mainstream" but as we have had 3 or more comparably little known pieces, that's also a kind of variation![]()
I'm inclined to believe he wrote them cause he needed new compositions to play in his quartet gatherings (with Dittersdorf, Vanhal, Haydn). The idea Mozart wrote things cause he was simply "interested" seems far too "Romantic" in thinking to me; he pretty much always wrote for practical purposes. Not to mention, things like the slow movements of Divertimentos K.247, 334 are also pretty much "string quartets in disguise".This is the first quartet Mozart wrote after a long break when, so it is told, the publication of Haydn's op. 33 got him interested in quartets again. Like most of the set, this first one is a very ambitious piece, especially in the movements that often used to be "short and sweet", the menuet and finale.