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What do you think about the Kronos Quartet?

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5.1K views 31 replies 17 participants last post by  science  
#1 ·
What do you think of the Kronos Quartet? Are they sell-outs, too commercial? Trend setters?

Are they cutting-edge, exploring and expanding Classical music's standings in the marketplace? Are they redefining CM's image and methodology?

Is their playing actually good? What about their choice of repertoire?

Are they worthy of real respect? Are they respected? Do you respect them?

Why are they popular? Because they're marketed well, or simply for sales figures? Should they be taken seriously, or written-off as commercial hacks?
 
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#4 ·
I'm not that familiar with them. I own Ghost Opera, which is pretty well composed and played but very jarring.

I'm not sure i understand the complaint that they're too commercial. To judge from their discography, the focus on the 20th and 21at centuries almost to exclusion, and are fond of commissioning new works from relatively obscure composers. That doesn't exactly scream 'box office gold' to me.
 
#5 · (Edited)
I'm not that familiar with them. I own Ghost Opera, which is pretty well composed and played but very jarring.
Jack Nicholson: "You can't HANDLE Tan Dun!"

I'm not sure i understand the complaint that they're too commercial. To judge from their discography, the focus on the 20th and 21at centuries almost to exclusion, and are fond of commissioning new works from relatively obscure composers. That doesn't exactly scream 'box office gold' to me.
Well, they single-handedly launched Górecki into international acclaim; as Ken OC said, they have sold a lot of product; they did an arrangement of Jimi Hendrix' Purple Haze; they did an Astor Piazzola tango album; they eschew tuxedos, as their hairstyles and clothing, in cover photos, has been trendy;
What other horrible infractions of classical decorum could one want?

They are (shudder) cross-genre! According to WIK:
Kronos covers a very broad range of musical genres: Mexican folk, experimental, pre-classical early music, movie soundtracks (Requiem for a Dream, Heat, The Fountain), jazz and tango. Kronos has also recorded adaptations of Jimi Hendrix's "Purple Haze", Sigur Rós's "Flugufrelsarinn", Television's "Marquee Moon", Raymond Scott's "Dinner Music for a Pack of Hungry Cannibals", and Bob Dylan's "Don't Think Twice, It's All Right".

Kronos has also worked with a variety of global musicians, including Bollywood playback singer Asha Bhosle; Mexican-American painter Gronk; American soprano Dawn Upshaw; jazz composer/performer Pat Metheny; Mexican rockers Café Tacuba; Azerbaijani mugam singer Alim Qasimov; and the Romanian gypsy band Taraf de Haïdouks among others.

Kronos has performed live with the poet Allen Ginsberg, Ástor Piazzolla, the Modern Jazz Quartet, Tom Waits, David Bowie, and Björk, and has appeared on recordings with Nelly Furtado, Rokia Traore, Joan Armatrading, Brazilian electronica artist Amon Tobin, Texas yodeler Don Walser, Faith No More, Tiger Lillies and David Grisman.

On the 1998 Dave Matthews Band album Before These Crowded Streets, Kronos Quartet performed on the tracks Halloween and The Stone. They also appeared on the 2007 Nine Inch Nails remix album, Year Zero Remixed doing a rendition of the track Another Version of the Truth. They also performed Lee Brooks' score for the short film 2081, based on the Kurt Vonnegut short story "Harrison Bergeron."

In 2009, the quartet contributed an acoustic version of Blind Willie Johnson's "Dark Was the Night" for the AIDS benefit album Dark Was the Night produced by the Red Hot Organization.

By the time the quartet celebrated their twenty-fifth anniversary, in 1999, they had a repertoire of over 600 works, which included 400 string quartets written for them, more than 3,000 performances, seven first-prize ASCAP awards, Edison Awards in classical and popular music, and had sold more than 1.5 million records.
 
#6 ·
I knew they had arrived in pop culture when they were referenced in a Mystery Science Theatre video. Not too many string quartets end up mentioned there.

Personally, I really like their recordings of Anton Webern - well, all two of them. They play with a fluidity and freedom which I feel the music requires.
 
#7 ·
They seem to be immune from the abuse one would expect to be heaped upon such cross-genre freakazoids. I wonder why that is?
 
#11 ·
I have a special place in my heart for Kronos... since they've taken up permanent residence at my university for several years! (hint hint, that's how you may discover where I study :D). At least once a semester, they do some sort of concert here, usually joint performances with someone else, for ex. guest artist dancers, singers or something like that. I've not seen them. They also do reading of new compositions made by the DMA composers at my university, I've not seen one of those performances yet. Always something else conflicting. :( And who knows how much longer it's going to last, maybe not much longer before they move on...
 
#14 ·
Any classical music fan would recognize them as crossing over to the dark side of pop culture when they started naming their albums as if they were rock albums or something. Everyone knows a classical album is supposed to be called something like: Grand-Suite von anspruchsvollen Konzert Geräusche für Blechbläser und Schlagzeug Kammerorchester und gequält Nilpferd von Georg Philipp van Braunschweiger (komplett). Or something like that.

Black Angels is clearly a heavy metal album.
 
#19 ·
Their Bartok is killer, too, on one of their very early CDs. Their affiliation with Terry Riley has been important as well. "Cadenza on the Night Plain" is great.
 
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#29 ·
Their affiliation with Terry Riley has been important as well. "Cadenza on the Night Plain" is great.
To me, even just their collaboration with Riley is worthy of high praise. Cadenza On The Night Plain is my favorite. I wonder how many of Riley's string quartets can be listened to now without the close relationship between Riley and Kronos Quartet. (Still there are many works not recorded yet. Riley composed more than 27 works for the genre.)
 
#20 ·
Kronos Quartet... legends for me.

Steve Reich's Different Trains on CD is one of my all time prized albums.
 
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#21 ·
I have no albums by the Kronos Quartet, but I have always found them to be quite appealing. There certainly is an element of commercialism in the way they are marketed, which is more like pop music than classical (not being on a classical label is likely why), but their choice of repertoire is definitely appealing to me, as a classical music fan.

The one album I'd really like to have is the complete String Quartets of Alfred Schnittke, but it is currently out of print and only available at horrendous collector prices, if at all.
 
#22 ·
Kronos Quartet is one of my guiltiest and most pleasurable guilty pleasures. I'd usually be too embarrassed to post an album of theirs on the current listening thread, but I'm pretty sure I listen to at least one a month.

Among my favorites:

- The Black Angels disk is desert island for me. I've written enough about it.

- Piazzolla's Five Tango Sensations.

- Golijov's The Dreams and Prayers of Isaac the Blind. The people who don't want to like Kronos Quartet told me to listen to the recording by the St. Lawrence Quartet, and those people were wrong.

- The album titled "Kronos Quartet" that had Sculthorpe, Sallinen, Glass, Nancarrow, and Hendrix. It's nice to remember that there was a time a couple decades ago when Glass was put in that kind of company. According to "Sid James" who knows a thousand times more about this than I ever will, this album really helped Sculthorpe become better known outside of Australia.

- The Philip Glass album. If I admitted this in person I'm sure I'd be unable to make eye contact for several minutes. This was my first Philip Glass album. I had no idea I was listening to something so morally compromising! And I thought I was cool for listening to modern music! Poor innocent little high school me.

- Ostertag's All the Rage. One of the most powerful works for tape that I've ever heard.

- Feldman's Piano and String Quartet.

- Reich's WTC 9/11. So Adams' work on this subject won the prize, but I find Reich's much more moving.

- Vask's String Quartet #4.

You might think I've just listed all the KQ disks I own. Not even close.

I think I need a vacation from tc now to get over my embarrassment.
 
#23 ·
Kronos Quartet is one of my guiltiest and most pleasurable guilty pleasures. I'd usually be too embarrassed to post an album of theirs on the current listening thread, but I'm pretty sure I listen to at least one a month.

Among my favorites:

- The Black Angels disk is desert island for me. I've written enough about it.

- Piazzolla's Five Tango Sensations.

- Golijov's The Dreams and Prayers of Isaac the Blind. The people who don't want to like Kronos Quartet told me to listen to the recording by the St. Lawrence Quartet, and those people were wrong.

- The album titled "Kronos Quartet" that had Sculthorpe, Sallinen, Glass, Nancarrow, and Hendrix. It's nice to remember that there was a time a couple decades ago when Glass was put in that kind of company. According to "Sid James" who knows a thousand times more about this than I ever will, this album really helped Sculthorpe become better known outside of Australia.

- The Philip Glass album. If I admitted this in person I'm sure I'd be unable to make eye contact for several minutes. This was my first Philip Glass album. I had no idea I was listening to something so morally compromising! And I thought I was cool for listening to modern music! Poor innocent little high school me.

- Ostertag's All the Rage. One of the most powerful works for tape that I've ever heard.

- Feldman's Piano and String Quartet.

- Reich's WTC 9/11. So Adams' work on this subject won the prize, but I find Reich's much more moving.

- Vask's String Quartet #4.

You might think I've just listed all the KQ disks I own. Not even close.

I think I need a vacation from tc now to get over my embarrassment.
Do you own their ultimate box set--- 10 Years of Kronos Quartet?
 
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