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What was the last film you watched?

1360386 Views 11997 Replies 681 Participants Last post by  Itullian
Just a thread to mention the last film you watched. You may write a little comment about it if you want.

Harry Potter and the Deathly Hallows: Part I

I was a bit disappointed and it's my least favourite from the series so far. I can't really say much because I haven't read the book tho.
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Beetlejuice (1988) Cert 15
A fun film I couldn't take seriously due to some very odd and cringy scenes.
Beetlejuice (1988) Cert 15
A fun film I couldn't take seriously due to some very odd and cringy scenes.
Beetlejuice, I love that film! That and Edward Scissorhands are my favourite Tim Burton movies.

The movie I just watched is M3GAN. For a totally predictable movie, I found some parts kind of funny.

Lip Hairstyle Eyebrow Eyelash Mouth
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Mr Jones

https://en.wikipedia.org/wiki/Mr_Jones_(2019_film) IMDB 6.9

Based on the true account of a somewhat naive, young journalist who attempted to write an objective piece concerning Soviet economic expansion in the 1930's. He travels to Russia and Ukraine after the murder of a fellow journalist who was visiting Russia while attempting the same.

The director has a talent for capturing undesirable eating habits, with several high-fidelity scenes of actors chewing and smacking at food morsels, but won no Oscars. Otherwise, the film is to be admired on several levels.
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It's funny, but Tom Cruise doesn't really do it for me acting-wise. I find his acting dull and boring. Boxed-in.

Yet, there hasn't been a Tom Cruise film that I haven't liked (although I haven't seen Collateral, nor had I heard of it prior to seeing the posts from Merl and Chat Noir.

Same with some other actors. Keanu Reeves. So understated in his acting that I find it uninteresting. But I haven't disliked any of his films.

I do like Reeves as a person (he seems to be a genuinely caring and nice guy).

On the other hand I find don't find Cruise likeable at all, although I can't really put my finger on why. Maybe a combination of things.
Cruise made his mark in the 80's strutting on screen in the role of the cocky and talented naval pilot, bartender, pool shark, and obnoxious business guy, in such films as Top Gun, Bartender the Color of Money, and Rain Main. It continued later in his career with action-hero films, but fortunately his roles became more diverse.

It is hard to imagine why his role in Rain Man was so endearing to some, given his screeching temper tantrums and sarchastic aggression directed at his autistic brother, but I guess his character was redeemed at the end of the film and he excelled in the role. Blame it on the director and the script, I suppose. His embracement and poster boy status of Scientology could be hard to get past for some.

I have no issue with Tom's acting, though many of his film roles are aversive.
Mr Jones

https://en.wikipedia.org/wiki/Mr_Jones_(2019_film) IMDB 6.9

Based on the true account of a somewhat naive, young journalist who attempted to write an objective piece concerning Soviet economic expansion in the 1930's. He travels to Russia and Ukraine after the murder of a fellow journalist who was visiting Russia while attempting the same.

The director has a talent for capturing undesirable eating habits, with several high-fidelity scenes of actors chewing and smacking at food morsels, but won no Oscars. Otherwise, the film is to be admired on several levels.
That was the next film on my playlist after Katyń.
I just finished watching The Rock (1996).
Toy Story 4



Disappointing. There were just too many characters, too much plot, too much repetition of not-very-funny jokes (It's trash - no, it's toys) until about two thirds of the way through the film. Then the story became more compelling but the characters didn't - Bo Peep too fashionably feisty, Woody too hopeless, Gabby Gabby veering from villainess to misunderstood girly, Andy's toy crew not given enough to do or say and so on. It was just about watchable, but it will be going back to the charity shop whence it came, and I don't think we'll bother with Toy Story 5.

A pity, since the first three films were brilliant.
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The Quiet Man (1952)

John Wayne and Maureen O'Hara struggling to get married and set up home in "fantasy" Ireland.

Now distinctly dodgy, but I'm sure it's alright to laugh if you're viewing it with post-modern eyes.

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The Quiet Man (1952)

John Wayne and Maureen O'Hara struggling to get married and set up home in "fantasy" Ireland.

Now distinctly dodgy, but I'm sure it's alright to laugh if you're viewing it with post-modern eyes.

I don't think I'll ever want to watch this film again because we watched it over the weekend when our first dog was ill - on the Monday, we had to take him in to be put to sleep. Having said that, I remember seeing it in childhood and enjoying it, and though it was a painful watch, I sort of enjoyed it the last time (1997).

I agree it's stereotypically 'Oirish' but we did enjoy, on a later trip to Ireland, visiting Cong in Mayo where the film was shot and seeing all the places and going to the museum dedicated to the film.
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Yes the museum is now much classier - Home - The Quiet Man Museum Cong, Co. Mayo and we didn't do the walking tour:


I don't think it was running at the time.
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Pollock

Pollock is a 2000 American independent biographical drama film centered on the life of American painter Jackson Pollock, his struggles with alcoholism, as well as his troubled marriage to his wife Lee Krasner. The film stars Ed Harris, Marcia Gay Harden, Jennifer Connelly, Robert Knott, Bud Cort, Molly Regan, and Sada Thompson, and was directed by Harris.

Marcia Gay Harden won the Academy Award for Best Supporting Actress for portraying Lee. Ed Harris received an Academy Award nomination for Best Actor for his portrayal of Pollock. The film was a long-term personal project for Harris based on his reading of the 1989 biography Jackson Pollock: An American Saga, written by Steven Naifeh and Gregory White Smith.

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Babylon (2022)
Amazing movie, a must-see despite it's length (3+ hours).
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Cinema Paradiso
Director's Cut



Cinema Paradiso (Italian: Nuovo Cinema Paradiso, Italian pronunciation: [ˈnwɔːvo ˈtʃiːnema paraˈdiːzo], literally "New Paradise Cinema") is a 1988 coming-of-age drama film written and directed by Giuseppe Tornatore. Set in a small Sicilian town, the film centers on the friendship between a young boy and an aging projectionist who works at the titular movie theatre. This Italian-French co-production stars Philippe Noiret, Jacques Perrin, Leopoldo Trieste, Marco Leonardi, Agnese Nano and Salvatore Cascio. The film score was composed by Ennio Morricone and his son, Andrea, marking the beginning of a collaboration between Tornatore and Morricone that lasted until Morricone's death on 6 July 2020.

Director's cut
In the 173-minute version of the film, after the funeral, Salvatore notices an adolescent girl who resembles the teenage Elena. He follows the teen as she rides her scooter to her home, which allows Salvatore to contact his long-lost love Elena, who is revealed to be the girl's mother. Salvatore calls her in hopes of rekindling their romance; she initially rejects him, but later reconsiders and goes to see Salvatore, who was contemplating his rejection at a favorite location from their early years. Their meeting ultimately leads to a lovemaking session in her car. He learns that she had married an acquaintance from his school years, who became a local politician of modest means. Afterwards, feeling cheated, he strives to rekindle their romance, and while she clearly wishes it were possible, she rejects his entreaties, choosing to remain with her family and leave their romance in the past.

During their evening together, a frustrated Salvatore asks Elena why she never contacted him or left word of where her family was moving to. He learns that the reason they lost touch was because Alfredo asked her not to see him again, fearing that Salvatore's romantic fulfillment would only destroy what Alfredo sees as Salvatore's destiny – to be successful in the cinema world. Alfredo tried to convince her that if she loved Salvatore, she should leave him for his own good. Elena explains to Salvatore that, against Alfredo's instruction, she had secretly left a note with an address where she could be reached and a promise of undying love and loyalty. Salvatore realizes that he never found that note, and thus lost his true love for more than thirty years. The next morning, Salvatore returns to the decaying Cinema Paradiso and frantically searches through the piles of old film invoices pinned to the wall of the projection booth. There, on the reverse side of one of the dockets, he finds the handwritten note Elena had left thirty years earlier.

The film ends with Salvatore returning to Rome and, with teary eyes, viewing the film reel that Alfredo left.
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Pinocchio (1940)



I watched this because my husband loves cartoons. He enjoyed all the funny moments, the frantic episodes, dances & bright colours. I hated every minute of it! But I enjoyed watching him enjoy it.
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Pinocchio (1940)



I watched this because my husband loves cartoons. He enjoyed all the funny moments, the frantic episodes, dances & bright colours. I hated every minute of it! But I enjoyed watching him enjoy it.
I must agree with your husband. Pinocchio is a masterpiece of animation of Disney's golden age. After Dumbo (roughly the same time?) it's my second choice of their features. Those two and Snow White and the Seven Dwarves are beautifully realised films.
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Hell Drivers (1957, Cy Endfield)

Amazing cast of established and soon-to-be famous actors. Led by Stanley Baker, with Patrick McGoohan, Gordon Jackson, Sean Connery, Peggy Cummins, David McCallum, Herbert Lom, Jill Ireland, brilliant turn by William Hartnell as the crooked manager, Alfie Bass, Sid James...

I saw this a very long time ago on television, so I thought I should refresh my memory. Exciting, gritty film of its time in a world with no safety at work and lots of people out for themselves in a tough world. Endfield was an American director blacklisted under the McCarthy witch-hunt.

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Not bad at all.
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