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Two months ago Taggart posted this album here and I was very intrigued for it. Then I' ve found a copy on amazon u.s. and even if shipment was expensive something ( :devil: ) said to my ear that I should buy it. As I waited I was listening to it in small doses on spotify and I really liked it. I just received it this week and just can say that this disc is one of my best purchases in a very long time. I`m really loving this music by this rather "mysterious composer". Now it´s time for an overdose of this beautiful and odd sonatas:

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From the AMG review:

"Giovanni Antonio Pandolfi briefly surfaced at the Hapsburg court in Innsbruck in 1660 with the pair of violin publications performed here. Little is known of his life beyond what can be gleaned from the dedications and other matter associated with these two sets of sonatas for violin and continuo, and the downright bizarre quality of the music only heightens the air of mystery. British historical-performance specialist Andrew Manze, who has a very pleasing touch in the so-called stylus phantasticus of fantastic style of the later seventeenth century, writes in the notes that Pandolfi might be considered the "godfather" of the virtuoso violin tradition in the German sphere running from Biber down to the mighty unaccompanied sonatas and partitas of J.S. Bach. The problem with this is that Pandolfi's sonatas do not sound much like Biber, even at his most experimental, or anyone else. Their nearest relatives are the works of Marco Uccellini, who may have been influenced by Pandolfi. If your tastes run to the extreme in the music of the seventeenth century, rest assured that it doesn't come much more extreme than this (...)"
 
Michael Tippett, my only CD of his music. Divertimento on Sellinger's Round, Little Music for String Orchestra, The Heart's Assurance, Concerto for Double String Orchestra. I got this cd second hand cheap, and really only for the double concerto, which is quite nice.


Tippett, A Child of Our Time. A cd from my local library. I had never listened to this before, even though I had known about its existence for many years. It's pretty good, and I'm not totally into vocal music.


Tippett all five string quartets from this well reviewed cd. I listened via Spotify. The third and fourth quartets are excellent and if I remember correctly, I was a big advocate of the fourth when we compiled our TC recommended string quartets list. The fifth quartet is a sprawling work that didn't make a lot of sense. Nevertheless, I will consider buying this cd, it's pretty good
 
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I usually listen to the latest recordings but this is Nice and charming! Op. 50 at the moment.
I recently bought the LP of the Seven Last Words played by the Schneider Quartet (mono), and it´s the first time I´ve heard a version that was able to interest me. A set that seems worth investigating, alas not complete.
 
Two months ago Taggart posted this album here and I was very intrigued for it. Then I' ve found a copy on amazon u.s. and even if shipment was expensive something ( :devil: ) said to my ear that I should buy it. As I waited I was listening to it in small doses on spotify and I really liked it. I just received it this week and just can say that this disc is one of my best purchases in a very long time. I`m really loving this music by this rather "mysterious composer". Now it´s time for an overdose of this beautiful and odd sonatas:

Image


From the AMG review:

"Giovanni Antonio Pandolfi briefly surfaced at the Hapsburg court in Innsbruck in 1660 with the pair of violin publications performed here. Little is known of his life beyond what can be gleaned from the dedications and other matter associated with these two sets of sonatas for violin and continuo, and the downright bizarre quality of the music only heightens the air of mystery. British historical-performance specialist Andrew Manze, who has a very pleasing touch in the so-called stylus phantasticus of fantastic style of the later seventeenth century, writes in the notes that Pandolfi might be considered the "godfather" of the virtuoso violin tradition in the German sphere running from Biber down to the mighty unaccompanied sonatas and partitas of J.S. Bach. The problem with this is that Pandolfi's sonatas do not sound much like Biber, even at his most experimental, or anyone else. Their nearest relatives are the works of Marco Uccellini, who may have been influenced by Pandolfi. If your tastes run to the extreme in the music of the seventeenth century, rest assured that it doesn't come much more extreme than this (...)"
What a beautiful cd this is.If I had to choose music for the desert Island I think I prefer one like this and no big Symphony how beautiful they may be.This music let you more free as it has no personal stamp.What can make me more happy than sing with an inner voice and feeling to be part of it.:tiphat:
 

Rachmaninov: piano Concerto No. 3 in D minor"
Kiril Kondrashin Symphony of the Air (conductor)
Record: May 19, 1958, Carnegie Hall
These boxed-set posts of yours remind me of a little kid getting out her toys on the floor.
 
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What a beautiful cd this is.If I had to choose music for the desert Island I think I prefer one like this and no big Symphony how beautiful they may be.This music let you more free as it has no personal stamp.What can make me more happy than sing with an inner voice and feeling to be part of it.:tiphat:
Definitely a desert island cd :)
 
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